摇篮主避难所:史前剧场?

IF 1.3 Q3 ACOUSTICS
L. Álvarez-Morales, Neemias Santos da Rosa, Daniel Benítez-Aragón, Laura Fernández Macías, María Lazarich, M. Díaz‐Andreu
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引用次数: 5

摘要

在过去的几年里,由于对考古记录的无形方面重新产生了兴趣,对岩石艺术遗址和景观的考古声学研究经历了显著的发展。本文主要研究在加的斯(西班牙)巴契内特的岩石艺术综合体中进行的声学研究。在描述了考古遗址及其重要性后,对现场收集的一组具有代表性的单声道和空间IR进行了彻底分析,以探索该遗址的声音成分在史前人类如何与之互动中发挥重要作用的假设。此外,我们简要讨论了根据ISO 3382-1指南的建议分析露天空间声学的挑战,该指南不是为露天空间开发的,而是为房间声学开发的。所获得的结果证实了Bacinete主遮蔽物用于语音传输的有利声学条件。还解释了在附近一个有点相似的庇护所Bacinete III中获得的不同主观声学印象,暗示后者的亲密度较低。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Bacinete Main Shelter: A Prehistoric Theatre?
In the last few years, archaeoacoustic studies of rock art sites and landscapes have undergone significant growth as a result of renewed interest in the intangible aspects of the archaeological record. This article focuses on the acoustic study carried out in the rock art complex of Bacinete, Cádiz (Spain). After describing the archaeological site and its importance, a representative set of monaural and spatial IRs gathered onsite is thoroughly analysed to explore the hypothesis that the sonic component of the site played an important role in how prehistoric people interacted with it. Additionally, we briefly discuss the challenges of analysing the acoustics of open-air spaces following the recommendations of the ISO 3382-1 guidelines, a standard developed not for open-air spaces, but for room acoustics. The results obtained confirm the favourable acoustic conditions of the Bacinete main shelter for speech transmission. The different subjective acoustic impressions obtained in a somewhat similar shelter located nearby, Bacinete III, are also explained, alluding to a lesser degree of intimacy felt in the latter.
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来源期刊
CiteScore
3.70
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