潜力剧场

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-06-01 DOI:10.1017/S1054204323000047

Nikolaus Müller-Schöll, L. White, Matt Cornish

{"title":"潜力剧场","authors":"Nikolaus Müller-Schöll, L. White, Matt Cornish","doi":"10.1017/S1054204323000047","DOIUrl":null,"url":null,"abstract":"How can we conceive potentiality as the inherent future in any present as well as in any past? Contemporary examples of a “theatre of potentiality” include works by dancer and choreographer Fabrice Mazliah; director Felix Rothenhäusler; and author, performer, director, and theoretician Boris Nikitin, who all share an interest in a-human excess: of things, words, bodies, and fictions.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"32 - 47"},"PeriodicalIF":0.4000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Theatre of Potentiality\",\"authors\":\"Nikolaus Müller-Schöll, L. White, Matt Cornish\",\"doi\":\"10.1017/S1054204323000047\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How can we conceive potentiality as the inherent future in any present as well as in any past? Contemporary examples of a “theatre of potentiality” include works by dancer and choreographer Fabrice Mazliah; director Felix Rothenhäusler; and author, performer, director, and theoretician Boris Nikitin, who all share an interest in a-human excess: of things, words, bodies, and fictions.\",\"PeriodicalId\":46402,\"journal\":{\"name\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"volume\":\"67 1\",\"pages\":\"32 - 47\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1054204323000047\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR-The Drama Review-The Journal of Performance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1054204323000047","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}

引用次数: 0

摘要

我们如何将潜力视为任何现在和过去固有的未来？当代“潜力剧场”的例子包括舞蹈家和编舞家法布里斯·马兹利亚的作品；导演Felix Rothenhäusler；以及作家、演员、导演和理论家Boris Nikitin，他们都对人类的过度感兴趣：事物、文字、身体和小说。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Theatre of Potentiality

How can we conceive potentiality as the inherent future in any present as well as in any past? Contemporary examples of a “theatre of potentiality” include works by dancer and choreographer Fabrice Mazliah; director Felix Rothenhäusler; and author, performer, director, and theoretician Boris Nikitin, who all share an interest in a-human excess: of things, words, bodies, and fictions.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance