{"title":"简介:《围城下的喜剧》","authors":"E. Cowling, E. Fernández, Glenda Y. Nieto-Cuebas","doi":"10.1080/08831157.2021.2017239","DOIUrl":null,"url":null,"abstract":"Abstract This introduction engages with the meaning and socio-cultural impact of a variety of artistic contributions within the realm of Hispanic theater that have been carried out in the Spanish-speaking world in order to keep production of the comedia afloat during the confinement due to COVID-19. It discusses what this implies for an inherently live medium such as the theater and, ultimately, introduces the content of the rest of the volume.","PeriodicalId":41843,"journal":{"name":"ROMANCE QUARTERLY","volume":"69 1","pages":"59 - 63"},"PeriodicalIF":0.1000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Introduction: The Comedia Under Siege\",\"authors\":\"E. Cowling, E. Fernández, Glenda Y. Nieto-Cuebas\",\"doi\":\"10.1080/08831157.2021.2017239\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This introduction engages with the meaning and socio-cultural impact of a variety of artistic contributions within the realm of Hispanic theater that have been carried out in the Spanish-speaking world in order to keep production of the comedia afloat during the confinement due to COVID-19. It discusses what this implies for an inherently live medium such as the theater and, ultimately, introduces the content of the rest of the volume.\",\"PeriodicalId\":41843,\"journal\":{\"name\":\"ROMANCE QUARTERLY\",\"volume\":\"69 1\",\"pages\":\"59 - 63\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ROMANCE QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/08831157.2021.2017239\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ROMANCE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08831157.2021.2017239","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
Abstract This introduction engages with the meaning and socio-cultural impact of a variety of artistic contributions within the realm of Hispanic theater that have been carried out in the Spanish-speaking world in order to keep production of the comedia afloat during the confinement due to COVID-19. It discusses what this implies for an inherently live medium such as the theater and, ultimately, introduces the content of the rest of the volume.
期刊介绍:
Lorca and Baudelaire, Chrétien de Troyes and Borges. The articles in Romance Quarterly provide insight into classic and contemporary works of literature originating in the Romance languages. The journal publishes historical and interpretative articles primarily on French and Spanish literature but also on Catalan, Italian, Portuguese, and Brazilian literature. RQ contains critical essays and book reviews, mostly in English but also in Romance languages, by scholars from universities all over the world. Romance Quarterly belongs in every department and library of Romance languages.