{"title":"“Isra戏剧:作为对话的曝光”","authors":"Shimrit Ron","doi":"10.1080/10486801.2022.2117805","DOIUrl":null,"url":null,"abstract":"Abstract In this critical reflection, festival director Shimrit Ron discusses the origins of Isra-Drama, the impact of COVID on the showcase, and the new artistic initiatives that responded to the conditions of performance online for an international audience.","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"32 1","pages":"259 - 265"},"PeriodicalIF":0.3000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘Isra-Drama: Exposure as Dialogue’\",\"authors\":\"Shimrit Ron\",\"doi\":\"10.1080/10486801.2022.2117805\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In this critical reflection, festival director Shimrit Ron discusses the origins of Isra-Drama, the impact of COVID on the showcase, and the new artistic initiatives that responded to the conditions of performance online for an international audience.\",\"PeriodicalId\":43835,\"journal\":{\"name\":\"CONTEMPORARY THEATRE REVIEW\",\"volume\":\"32 1\",\"pages\":\"259 - 265\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CONTEMPORARY THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10486801.2022.2117805\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CONTEMPORARY THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10486801.2022.2117805","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Abstract In this critical reflection, festival director Shimrit Ron discusses the origins of Isra-Drama, the impact of COVID on the showcase, and the new artistic initiatives that responded to the conditions of performance online for an international audience.
期刊介绍:
Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.