参考书目

IF 0.1 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
T. J. Reed
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Ganz (Oxford: Oxford University Press, 1971), pp. 158–81. 8. ‘The Goethezeit and its aftermath’, in Germany: A Companion to German Studies, ed. by Malcolm Pasley (London: Methuen, 1972), pp. 493–554. 9. Thomas Mann: The Uses of Tradition (Oxford: Clarendon Press, 1974). 10. ‘Der Zauberberg: Zeitenwandel und Bedeutungswandel 1912–1924', in Besichtigung des Zauberbergs, ed. by Heinz Saueressig (Biberach a.d. Riss: Wege und Gestalten, 1974), pp. 81–139. 11. ‘Thomas Mann: the writer as historian of his time’, Modern Language Review, 71 (1976), 82–96. 12. ‘Thomas Mann: der Schriftsteller als Historiker seiner Zeit’, in Akten des V. Internationalen Germanisten-Kongresses Cambridge 1975 (Bern: Herbert Lang, 1977), pp. 333–40. 13. ‘Nietzsche’s animals: idea, image and influence’, in Nietzsche: Imagery and Thought, ed. by Malcolm Pasley (London: Methuen, 1978), pp. 159–219. 14. ‘Theatre, enlightenment and nation: a German problem’, Forum for Modern Language Studies, 14 (1978), 143–64. 15. 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引用次数: 0

摘要

1.“托马斯·曼,海涅,席勒:自我解释的机制”,新哲学,47(1963),41-50。2.《曼与屠格涅夫:初恋》,《德国生活与文学》,17(1964),313-183卡夫卡与叔本华:《哲学与哲学》,《图片集》,《幸福论》,59(1965),160-72。4.“Geist und Kunst”:托马斯·曼放弃的文学随笔,牛津德语研究,1(1966),53-101。5.“批判意识与创造:从莱辛到黑格尔的克里提克概念”,OGS 3(1968),87-113。6.(编辑)Thomas Mann,Der Tod in Venedig,Clarendon德语文本(牛津:Clarendon出版社,1969年)。7.“托马斯·曼与传统:一些澄清”,载于P·F·甘茨主编的《不连续的传统》(牛津:牛津大学出版社,1971年),第158–81页。8.《歌德及其后果》,载于《德国:德国研究指南》,马尔科姆·帕斯利主编(伦敦:Methuen,1972年),第493-554页。9.托马斯·曼:《传统的用途》(牛津:克拉伦登出版社,1974年)。10.“Zauberberg:Zeitenwandel und Bedeutungswandel 1912-1924”,载于《Zauberberg的历史》,Heinz Saueressig编辑(Biberach a.d.Riss:Wege und Gestalten,1974),第81–139页。11.“托马斯·曼:他那个时代的作家兼历史学家”,《现代语言评论》,71(1976),82-96。12.“Thomas Mann:der Schriftsteller als Historiker seiner Zeit”,载于1975年剑桥国际日耳曼人协会(Akten des V.International Germanisten Kongress Cambridge)(伯尔尼:Herbert Lang,1977),第333–40页。13.“尼采的动物:观念、意象和影响”,载于《尼采:意象与思想》,马尔科姆·帕斯利主编(伦敦:Methuen,1978),第159–219页。14.“戏剧、启蒙与民族:一个德国问题”,现代语言研究论坛,第14期(1978年),143-64页。15.(编辑)托马斯·曼(Thomas Mann),《在威尼斯的托德》(Der Tod in Venedig)(慕尼黑:汉瑟出版社,1979年)。16.古典中心:歌德和魏玛,1775-1832(伦敦:克鲁姆海姆出版社,1980年;牛津:克拉伦登出版社,1986年)。17.“迷宫之路:在十八世纪找到你的路”,英国歌德学会出版物,51(1981),81–113。18.《米特:歌德与魏玛》,1775-1832年,海因茨·彼得·门茨和克里斯托夫·古特内赫特(斯图加特:科尔哈默出版社,1982年)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bibliography
1. ‘Thomas Mann, Heine, Schiller: the mechanics of self-interpretation’, Neophilologus, 47 (1963), 41–50. 2. ‘Mann and Turgenev: a first love’, German Life and Letters, 17 (1964), 313–18 3. ‘Kafka und Schopenhauer: philosophisches Denken und dichterisches Bild’, Euphorion, 59 (1965), 160–72. 4. ‘“Geist und Kunst”: Thomas Mann’s abandoned essay on literature’, Oxford German Studies, 1 (1966), 53–101. 5. ‘Critical consciousness and creation: the concept Kritik from Lessing to Hegel’, OGS 3 (1968), 87–113. 6. (Ed.) Thomas Mann, Der Tod in Venedig, Clarendon German Texts (Oxford: Clarendon Press, 1969). 7. ‘Thomas Mann and tradition: some clarifications’, in The Discontinuous Tradition, ed. by P. F. Ganz (Oxford: Oxford University Press, 1971), pp. 158–81. 8. ‘The Goethezeit and its aftermath’, in Germany: A Companion to German Studies, ed. by Malcolm Pasley (London: Methuen, 1972), pp. 493–554. 9. Thomas Mann: The Uses of Tradition (Oxford: Clarendon Press, 1974). 10. ‘Der Zauberberg: Zeitenwandel und Bedeutungswandel 1912–1924', in Besichtigung des Zauberbergs, ed. by Heinz Saueressig (Biberach a.d. Riss: Wege und Gestalten, 1974), pp. 81–139. 11. ‘Thomas Mann: the writer as historian of his time’, Modern Language Review, 71 (1976), 82–96. 12. ‘Thomas Mann: der Schriftsteller als Historiker seiner Zeit’, in Akten des V. Internationalen Germanisten-Kongresses Cambridge 1975 (Bern: Herbert Lang, 1977), pp. 333–40. 13. ‘Nietzsche’s animals: idea, image and influence’, in Nietzsche: Imagery and Thought, ed. by Malcolm Pasley (London: Methuen, 1978), pp. 159–219. 14. ‘Theatre, enlightenment and nation: a German problem’, Forum for Modern Language Studies, 14 (1978), 143–64. 15. (Ed.) Thomas Mann, Der Tod in Venedig (Munich: Hanser, 1979). 16. The Classical Centre: Goethe and Weimar, 1775–1832 (London: Croom Helm, 1980; Oxford: Clarendon Press, 1986). 17. ‘Paths through the labyrinth: finding your way in the eighteenth century’, Publications of the English Goethe Society, 51 (1981), 81–113. 18. Die klassische Mitte: Goethe und Weimar, 1775–1832, tr. Heinz-Peter Menz and Christoph Gutknecht (Stuttgart: Kohlhammer, 1982).
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Publications of the English Goethe Society
Publications of the English Goethe Society LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
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