参考书目

IF 0.1 3区文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN

Publications of the English Goethe Society Pub Date : 2017-09-02 DOI:10.1080/09593683.2017.1376386

T. J. Reed

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引用次数: 0

摘要

1.“托马斯·曼，海涅，席勒：自我解释的机制”，新哲学，47（1963），41-50。2.《曼与屠格涅夫：初恋》，《德国生活与文学》，17（1964），313-183卡夫卡与叔本华：《哲学与哲学》，《图片集》，《幸福论》，59（1965），160-72。4.“Geist und Kunst”：托马斯·曼放弃的文学随笔，牛津德语研究，1（1966），53-101。5.“批判意识与创造：从莱辛到黑格尔的克里提克概念”，OGS 3（1968），87-113。6.（编辑）Thomas Mann，Der Tod in Venedig，Clarendon德语文本（牛津：Clarendon出版社，1969年）。7.“托马斯·曼与传统：一些澄清”，载于P·F·甘茨主编的《不连续的传统》（牛津：牛津大学出版社，1971年），第158–81页。8.《歌德及其后果》，载于《德国：德国研究指南》，马尔科姆·帕斯利主编（伦敦：Methuen，1972年），第493-554页。9.托马斯·曼：《传统的用途》（牛津：克拉伦登出版社，1974年）。10.“Zauberberg:Zeitenwandel und Bedeutungswandel 1912-1924”，载于《Zauberberg的历史》，Heinz Saueressig编辑（Biberach a.d.Riss:Wege und Gestalten，1974），第81–139页。11.“托马斯·曼：他那个时代的作家兼历史学家”，《现代语言评论》，71（1976），82-96。12.“Thomas Mann:der Schriftsteller als Historiker seiner Zeit”，载于1975年剑桥国际日耳曼人协会（Akten des V.International Germanisten Kongress Cambridge）（伯尔尼：Herbert Lang，1977），第333–40页。13.“尼采的动物：观念、意象和影响”，载于《尼采：意象与思想》，马尔科姆·帕斯利主编（伦敦：Methuen，1978），第159–219页。14.“戏剧、启蒙与民族：一个德国问题”，现代语言研究论坛，第14期（1978年），143-64页。15.（编辑）托马斯·曼（Thomas Mann），《在威尼斯的托德》（Der Tod in Venedig）（慕尼黑：汉瑟出版社，1979年）。16.古典中心：歌德和魏玛，1775-1832（伦敦：克鲁姆海姆出版社，1980年；牛津：克拉伦登出版社，1986年）。17.“迷宫之路：在十八世纪找到你的路”，英国歌德学会出版物，51（1981），81–113。18.《米特：歌德与魏玛》，1775-1832年，海因茨·彼得·门茨和克里斯托夫·古特内赫特（斯图加特：科尔哈默出版社，1982年）。

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Bibliography

1. ‘Thomas Mann, Heine, Schiller: the mechanics of self-interpretation’, Neophilologus, 47 (1963), 41–50. 2. ‘Mann and Turgenev: a first love’, German Life and Letters, 17 (1964), 313–18 3. ‘Kafka und Schopenhauer: philosophisches Denken und dichterisches Bild’, Euphorion, 59 (1965), 160–72. 4. ‘“Geist und Kunst”: Thomas Mann’s abandoned essay on literature’, Oxford German Studies, 1 (1966), 53–101. 5. ‘Critical consciousness and creation: the concept Kritik from Lessing to Hegel’, OGS 3 (1968), 87–113. 6. (Ed.) Thomas Mann, Der Tod in Venedig, Clarendon German Texts (Oxford: Clarendon Press, 1969). 7. ‘Thomas Mann and tradition: some clarifications’, in The Discontinuous Tradition, ed. by P. F. Ganz (Oxford: Oxford University Press, 1971), pp. 158–81. 8. ‘The Goethezeit and its aftermath’, in Germany: A Companion to German Studies, ed. by Malcolm Pasley (London: Methuen, 1972), pp. 493–554. 9. Thomas Mann: The Uses of Tradition (Oxford: Clarendon Press, 1974). 10. ‘Der Zauberberg: Zeitenwandel und Bedeutungswandel 1912–1924', in Besichtigung des Zauberbergs, ed. by Heinz Saueressig (Biberach a.d. Riss: Wege und Gestalten, 1974), pp. 81–139. 11. ‘Thomas Mann: the writer as historian of his time’, Modern Language Review, 71 (1976), 82–96. 12. ‘Thomas Mann: der Schriftsteller als Historiker seiner Zeit’, in Akten des V. Internationalen Germanisten-Kongresses Cambridge 1975 (Bern: Herbert Lang, 1977), pp. 333–40. 13. ‘Nietzsche’s animals: idea, image and influence’, in Nietzsche: Imagery and Thought, ed. by Malcolm Pasley (London: Methuen, 1978), pp. 159–219. 14. ‘Theatre, enlightenment and nation: a German problem’, Forum for Modern Language Studies, 14 (1978), 143–64. 15. (Ed.) Thomas Mann, Der Tod in Venedig (Munich: Hanser, 1979). 16. The Classical Centre: Goethe and Weimar, 1775–1832 (London: Croom Helm, 1980; Oxford: Clarendon Press, 1986). 17. ‘Paths through the labyrinth: finding your way in the eighteenth century’, Publications of the English Goethe Society, 51 (1981), 81–113. 18. Die klassische Mitte: Goethe und Weimar, 1775–1832, tr. Heinz-Peter Menz and Christoph Gutknecht (Stuttgart: Kohlhammer, 1982).

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Publications of the English Goethe Society LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-

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