愤怒的容器和上帝的病理：罗马书9:20-23中的波特/粘土意象

IF 0.5 3区哲学 0 RELIGION

HARVARD THEOLOGICAL REVIEW Pub Date : 2022-04-01 DOI:10.1017/S0017816022000116

Jason A. Staples

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引用次数: 0

摘要

摘要从罗马书9:22中神的耐心的概念开始，本文认为保罗使用陶工/粘土的比喻并不是（正如经常解释的那样）来捍卫上帝的任意选择权，而是为了呼吁亚伯拉罕·赫歇尔所说的神的悲情，即上帝的选择受到人类行为的影响。因此，罗马书9:20-23中的陶工/粘土图像突出了以色列神与以色列互动的动态和即兴方式，进而突出了所有创造。

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Vessels of Wrath and God’s Pathos: Potter/Clay Imagery in Rom 9:20–23

Abstract Starting from the concept of divine patience in Rom 9:22, this article argues that Paul employs the potter/clay metaphor not (as often interpreted) to defend God’s right to arbitrary choice but rather as an appeal to what Abraham Heschel called divine pathos—the idea that God’s choices are impacted by human actions. The potter/clay imagery in Rom 9:20–23 thus serves to highlight the dynamic and improvisational way the God of Israel interacts with Israel and, by extension, all of creation.

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来源期刊

HARVARD THEOLOGICAL REVIEW RELIGION-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Harvard Theological Review has been a central forum for scholars of religion since its founding in 1908. It continues to publish compelling original research that contributes to the development of scholarly understanding and interpretation in the history and philosophy of religious thought in all traditions and periods - including the areas of Judaic studies, Hebrew Bible, New Testament, Christianity, archaeology, comparative religious studies, theology and ethics.