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引用次数: 0
摘要
摘要:诺拉的《纳塔利西亚》代表了拉丁文学中无与伦比的诗歌循环:每年为诺拉的圣费利克斯节创作的十三首完整的诗歌(和第十四首零碎的诗歌)。本文将这些诗歌视为一个群体,分析了波利努斯诗歌发明的来源,并确定了贯穿语料库的重要特征。特别是,品种的概念在不同的整合层面和不同的情况下都是一种美学原则,而保利尼斯作为圣费利克斯崇拜的管理者和圣人节日的司仪的角色在他引入文本的元文本方向上得到了表达,他在诗27中通过雷梅西亚纳的尼切塔斯(Nicetas of Remesiana)的人向神殿进行导游,以及他邀请读者/听众进行的心理漫游。最终,在古代晚期的诗歌《圣徒传》走上了一条不同的道路,但保利尼斯的成就仍然很大,他的诗歌照亮了圣徒崇拜历史上的一个重要阶段。
Narrating the Saints: Paulinus of Nola and the Beginning of Verse Hagiography
Abstract:Paulinus of Nola's Natalicia represent a poetic cycle unparalleled in Latin literature: thirteen complete poems (and a fourteenth fragmentary one) composed every year for the annual festival of Saint Felix of Nola. This article considers the poems as a group, analyzing the sources of Paulinus's poetic invention and identifying significant features that run through the corpus. In particular, the concept of varietas serves as an aesthetic principle at various levels of integration and in various situations, while Paulinus's role as impresario of the cult of Saint Felix and master of ceremonies at the saint's festival finds expression in the metatextual directions he introduces into the text, the guided tour he gives to the shrine through the person of Nicetas of Remesiana in poem 27, and the mental peregrination he invites his reader/listener to take. Ultimately in Late Antiquity verse hagiography was to take a different course, but Paulinus's achievement remains substantial, and his poems illuminate an important stage in the history of the cult of the saints.