爱珠

Q1 Arts and Humanities
Colleen Ballerino Cohen
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引用次数: 0

摘要

在这篇创造性的非虚构作品中,我用一件反主流文化的工艺品——爱珠,来反思20世纪60年代和70年代美国反主流文化公社的生活,并构建一种对时代风格、愿景和希望的感觉。这部作品并不是为了反映反主流文化,而是以一个反主流文化公社、它的成员和他们的经历为中心。这些珠子带我们穿越了20世纪60年代中期反主流文化的开端,旧金山挖掘者的社会实验,易皮士的表演政治,以及受两者启发的公社。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

Love beads

Love beads

Love beads

Love beads

In this piece of creative non-fiction, I use a countercultural artifact, love beads, to reflect on what life was like on an American countercultural commune in the 1960s and 1970s and to construct a sense of the style, visions, and hopes of the times. Not intended to be reflective of the counterculture writ large, the piece centers on one countercultural commune, its members, and their experiences. The beads take us through the beginnings of the counterculture in the mid 1960s, to the social experiments of the San Francisco Diggers, the performance politics of the Yippies, and a commune that was inspired by both.

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来源期刊
Anthropology and Humanism
Anthropology and Humanism Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
自引率
0.00%
发文量
43
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