音乐艺术津巴布韦岩石艺术中乐器的表现。

IF 1.1 2区 历史学 0 ARCHAEOLOGY
Azania-Archaeological Research in Africa Pub Date : 2024-10-23 eCollection Date: 2025-01-01 DOI:10.1080/0067270X.2024.2415211
Joshua Kumbani, Margarita Díaz-Andreu
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引用次数: 0

摘要

本文通过观察津巴布韦岩石艺术遗址中乐器的出现,探讨了音乐与岩石艺术之间的关系。人们对这个国家丰富的岩石艺术遗产的大部分关注都集中在对遗址的记录、其中的绘画和雕刻图案的含义以及它们所显示的地区差异上。尽管有一些简短的提及,但乐器的描绘仍然需要系统的研究。本文的第一个目标是汇编有关出版物和SARADA档案中发现的这类图案的信息。在对它们进行识别和分类之后,该研究将探索岩石艺术遗址中描绘的乐器是否与意识状态的改变有关。作者还探讨了性别与音乐之间可能存在的关系,并对乐器描绘的地域差异进行了评论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The art of music. The representation of musical instruments in the rock art of Zimbabwe.

This article explores the relationship between music and rock art by looking at the occurrence of musical instruments at rock art sites in Zimbabwe. Much of the attention paid to the rich rock art heritage of this country has focused on the documentation of sites, the meaning of the painted and engraved motifs in them and the regional variability they display. Despite some brief mentions, the depiction of musical instruments is still in need of systematic study. This article's first objective is to compile the information about this type of motifs found in publications and the SARADA archive. Having identified and classified them, it then explores whether musical instruments depicted at rock art sites are connected to altered states of consciousness. The possible relationship between gender and music is also explored and regional differences in the depiction of musical instruments are commented on.

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来源期刊
CiteScore
2.40
自引率
9.10%
发文量
18
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