你好和强大:在捷克剧院展示

IF 0.3 3区 艺术学 0 THEATER
Mark Brown
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引用次数: 0

摘要

自2018年以来,捷克艺术与戏剧学院定期举办的“捷克高性能”游客项目邀请了国际戏剧专业人士,从导演、推广人员到评论家,让他们沉浸在当代捷克舞台上的各种戏剧中。以儿童和青少年戏剧、木偶剧和基于文本的戏剧为主题的节目展示的表演,除其他外,还伴随着专题讨论会、与捷克戏剧制作人的会议、剧院之旅和博物馆参观。在本文中,马克·布朗概述了2018年至2024年捷克的展览,同时特别关注四部作品:Tomáš Dianiška的《壮丽294》(2020年,2023年展出);Jan jirkkov的Zá-to-pek!(2019年,展示2022年);导演Jan Mikulášek将托马斯·伯恩哈德的小说《樵夫》搬上舞台(2018年,曾在2022年和2023年展出);以及布尔诺的弦乐鹅剧团共同设计的作品《烟熏》(Smokeout, 2022年,2024年展出)。这些作品显著地代表了二十一世纪捷克戏剧的各种优势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hi and Mighty: On the Czech Theatre Showcases

The Hi PerformanCZ visitor programmes, hosted regularly by the Czech Arts and Theatre Institute since 2018, have invited international theatre professionals, from directors and promoters to critics, to immerse themselves in the variety of theatre on the contemporary Czech stage. Showcased performances, themed in programmes dedicated to theatre for children and young people, puppet theatre, and text-based theatre, among other examples, are accompanied by symposia, meetings with Czech theatre-makers, theatre tours, and museum visits. In this article Mark Brown provides an overview of the Czech showcases from 2018 to 2024, while focusing particularly on four productions: Tomáš Dianiška’s The Magnificent 294 (2020, showcased 2023); Jan Jirků’s Zá-to-pek! (2019, showcased 2022); director Jan Mikulášek’s staging of Thomas Bernhard’s novel Woodcutters (2018, showcased 2022 and 2023); and Brno’s Goose on a String Theatre’s collectively devised piece Smokeout (2022, showcased 2024). These productions markedly represent the diverse strengths of Czech theatre in the twenty-first century.

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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
45
期刊介绍: New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.
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