挑衅：电视研究的未来议程：技术、观众、利益相关者

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2024-12-20 DOI:10.1177/17496020241308763

Catherine Johnson

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引用次数: 0

摘要

随着观看方式从广播转向流媒体，电视研究应该扮演什么角色？认为有必要考虑到当代电视的多面性，这一挑衅为电视研究的未来提出了一个议程。它认为，转向互联网电视的技术后果需要将电视作为软件的新理论，新的数字工具和方法，以及更多关注参与度较低和未连接的观众的受众研究。这样的研究将确保有关电视未来的关键政策决定借鉴电视研究作为一门学科的深度专业知识。

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Provocation: An agenda for the future of TV studies: Technology, audiences, stakeholders

As viewing shifts from broadcast to streaming, what should be the role for TV studies? Arguing for the need to account for the multi-faceted nature of contemporary television, this provocation proposes an agenda for the future of TV studies. It argues that the technological consequences of shifting to internet-delivered television demand new theorisations of television as software, new digital tools and methods, and audience research that pays more attention to less engaged and unconnected audiences. Such research would ensure that critical policy decisions about the future of television draw on the depth of expertise within TV studies as a discipline.

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.