音乐反故事:亚裔/亚裔美国音乐教师的种族化经历

IF 1.2 4区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
Joshua Palkki, Betina Hsieh, Carlos A. Fitch
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引用次数: 0

摘要

尽管亚裔和亚裔美国人(AAM)是美国人口增长最快的群体,也是许多音乐教育项目的一部分,但在音乐教育话语中,他们的声音往往被忽视。本研究的目的是开始使AAM音乐教育者的经验可见。本文探讨的研究问题是:AAM音乐教师如何描述他们与种族身份的关系?AAM教育者的经历在移民世代状态和跨国背景下有何相似或不同之处?我们利用亚洲批判种族理论作为框架来考察10名AAM音乐教育家的经历。虽然围绕种族化模式出现了集体主题,但每个参与者都有跨国背景和移民一代形成的独特经历。我们希望这些数据成为围绕音乐学习和教学中AAM体验的更强大论述的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Musical Counterstories: Racialized Experiences of Asian/Asian American Music Teachers
Despite being the fastest growing population in the United States and a part of many music education programs, Asian and Asian American (AAM) music teachers’ voices often are unheard in music education discourses. The purpose of this study was to begin bringing visibility to the experiences of AAM music educators. The research questions explored in this article are: How do AAM music teachers describe their experience in relationship to their racial identities? and How might AAM educators’ experience be similar or differ in relation to immigrant generational statuses and transnational contexts? We utilized Asian critical race theory as a framework to examine the experiences of 10 AAM music educators. Although collective themes emerged around patterns of racialization, each participant had unique experiences shaped by transnational contexts and immigrant generation. We hope that these data become part of a more robust discourse around AAM experiences in music learning and teaching.
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来源期刊
CiteScore
3.40
自引率
7.10%
发文量
20
期刊介绍: The quarterly Journal of Research in Music Education comprises reports of original research related to music teaching and learning. The wide range of topics includes various aspects of music pedagogy, history, and philosophy, and addresses vocal, instrumental, and general music at all levels, from early childhood through adult.
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