乌托邦与幻觉之间:推测性绘画实践中的整体空间

IF 0.3 4区 艺术学 0 ARCHITECTURE
Kirill Chelushkin
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引用次数: 0

摘要

建筑图纸的表面可以是创造力的大熔炉,是一个连重力和摩擦力都可能不存在的地方。基里尔-切卢什金(Kirill Chelushkin)出生于俄罗斯,现居巴黎,是一位受过建筑学训练的艺术家,他创作的作品令人惊叹,通常是探索绘画本体的大型作品。在这里,他描述了自己创作与机器有关的建筑表象的灵感来源,包括俄罗斯的构成主义和历史上被烧毁的、迅速消失的苏联工业综合体机器蓝图图纸。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Between Utopia and Hallucination: The Holistic Space in Speculative Drawing Practices

The surface of an architectural drawing can be a cauldron of creativity, a place where even gravity and friction might not exist. Russian-born and based in Paris, architecturally trained artist Kirill Chelushkin creates astounding, often large-scale works that explore the ontology of drawing. Here he describes the inspirations for his machine-related architectural representations, including Russian Constructivism and historical, battered and burnt blueprint drawings of the rapidly disappearing machines of the Soviet industrial complex.

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来源期刊
ARCHITECTURAL DESIGN
ARCHITECTURAL DESIGN ARCHITECTURE-
CiteScore
0.80
自引率
0.00%
发文量
127
期刊介绍: Provocative and inspirational, AD inspires theoretical, creative and technological advances. It questions the outcome of technical innovations as well as the far-reaching social, cultural and environmental challenges that present themselves today. -Having taken a pivotal role in the digital revolution in architecture in the 90s, AD provides must-have, cutting-edge content for students of architecture, academics and architects globally -Provides one of the most penetrating, insightful and in-depth views of key architectural topics today. Dares to ask why things are as they are, as well as tracing the latest trends. -One of the only truly international perspectives on architecture. It draws together worldwide architectural currents, regularly featuring work and practices from the UK, Europe, Americas, Asia and Australia. -Fully illustrated throughout in colour, AD provides an essential visual reference for architects and students. Each issue is individually art directed and designed to visually inspire.
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