谁拥有女性身份？后殖民时期巴基斯坦的 "Churails"、模仿、混血和性别角色的恢复

IF 1.6 2区文学 Q2 COMMUNICATION

Feminist Media Studies Pub Date : 2024-09-08 DOI:10.1080/14680777.2024.2394841

Shazrah Salam, Rauha Salam-Salmaoui

引用次数: 0

摘要

在后殖民时代的巴基斯坦，性别意识形态往往被欧洲中心主义的女权主义视角过度简化。由阿巴西执导的网络系列剧《Churails》（2020 年）颠覆了这一叙事方式，探索了巴基斯坦女性在社会中的角色。

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Who owns womanhood? ‘Churails,’ mimicry, hybridity, and the reclamation of gender roles in postcolonial Pakistan

In postcolonial Pakistan, gender ideology is often oversimplified through a Eurocentric feminist lens. The web series “Churails” (2020), directed by Abbasi, subverts this narrative by exploring the...

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来源期刊

Feminist Media Studies Multiple-

CiteScore

3.50

自引率

17.60%

发文量

159

期刊介绍： Feminist Media Studies provides a transdisciplinary, transnational forum for researchers pursuing feminist approaches to the field of media and communication studies, with attention to the historical, philosophical, cultural, social, political, and economic dimensions and analysis of sites including print and electronic media, film and the arts, and new media technologies. Feminist Media Studies especially encourages submissions based on original, empirical inquiry of the social experiences of audiences, citizens, workers, etc. and how these are structured by political, economic and cultural circumstances. The journal invites contributions from feminist researchers working across a range of disciplines and conceptual perspectives. Feminist Media Studies offers a unique intellectual space bringing together scholars, professionals and activists from around the world to engage with feminist issues and debates in media and communication. Its editorial board and contributors reflect a commitment to the facilitation of international dialogue among researchers, through attention to local, national and global contexts for critical and empirical feminist media inquiry.