FORM:作为设计的人类学

IF 0.5 3区 社会学 Q3 ANTHROPOLOGY
Victoria Baskin Coffey, Jennifer Deger
{"title":"FORM:作为设计的人类学","authors":"Victoria Baskin Coffey,&nbsp;Jennifer Deger","doi":"10.1111/taja.12489","DOIUrl":null,"url":null,"abstract":"<p>This essay argues for design as an expression of analytic rigour and ethical commitment. It explores what it might mean to ‘write’ in collaboration with the entities and forces from Country, ancestors, oceans, soil, honeyeaters, sound, wild bores, frogs, fire, ash, sand, trees, and echoes, to colour, code, bitrates, cameras, computers, and archives. Every design decision in ‘Epistemic attunements’ was conceptually-motivated and informed by an anthropologically-attuned sensibilty. It was never simply a case of making things look ‘beautiful’. The analytic force of the design propelled our intermedial arguments forward, but also sideways, down through layers, into shifts of sensation and abrupt moments of pause for specific critical effect.</p>","PeriodicalId":45452,"journal":{"name":"Australian Journal of Anthropology","volume":"35 1-2","pages":"20-26"},"PeriodicalIF":0.5000,"publicationDate":"2024-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/taja.12489","citationCount":"0","resultStr":"{\"title\":\"FORM: Anthropology as design\",\"authors\":\"Victoria Baskin Coffey,&nbsp;Jennifer Deger\",\"doi\":\"10.1111/taja.12489\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>This essay argues for design as an expression of analytic rigour and ethical commitment. It explores what it might mean to ‘write’ in collaboration with the entities and forces from Country, ancestors, oceans, soil, honeyeaters, sound, wild bores, frogs, fire, ash, sand, trees, and echoes, to colour, code, bitrates, cameras, computers, and archives. Every design decision in ‘Epistemic attunements’ was conceptually-motivated and informed by an anthropologically-attuned sensibilty. It was never simply a case of making things look ‘beautiful’. The analytic force of the design propelled our intermedial arguments forward, but also sideways, down through layers, into shifts of sensation and abrupt moments of pause for specific critical effect.</p>\",\"PeriodicalId\":45452,\"journal\":{\"name\":\"Australian Journal of Anthropology\",\"volume\":\"35 1-2\",\"pages\":\"20-26\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-09-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://onlinelibrary.wiley.com/doi/epdf/10.1111/taja.12489\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Australian Journal of Anthropology\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/taja.12489\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Australian Journal of Anthropology","FirstCategoryId":"90","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/taja.12489","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 0

摘要

这篇文章认为,设计是严谨分析和道德承诺的体现。文章探讨了与各种实体和力量合作进行 "写作 "的意义,这些实体和力量包括:国家、祖先、海洋、土壤、食蜜者、声音、野孔、青蛙、火、灰烬、沙子、树木和回声,以及颜色、代码、比特率、照相机、计算机和档案。认识调适 "中的每一个设计决定都从概念出发,以人类学调适的感觉为依据。这绝不是简单地把东西做得 "漂亮"。设计的分析力推动我们的跨媒体论证向前发展,同时也向侧面发展,通过层层向下,进入感觉的转变和突然的停顿,以达到特定的批判效果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FORM: Anthropology as design

This essay argues for design as an expression of analytic rigour and ethical commitment. It explores what it might mean to ‘write’ in collaboration with the entities and forces from Country, ancestors, oceans, soil, honeyeaters, sound, wild bores, frogs, fire, ash, sand, trees, and echoes, to colour, code, bitrates, cameras, computers, and archives. Every design decision in ‘Epistemic attunements’ was conceptually-motivated and informed by an anthropologically-attuned sensibilty. It was never simply a case of making things look ‘beautiful’. The analytic force of the design propelled our intermedial arguments forward, but also sideways, down through layers, into shifts of sensation and abrupt moments of pause for specific critical effect.

求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
1.50
自引率
12.50%
发文量
38
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信