新音乐与可持续发展

IF 0.5 4区艺术学 0 MUSIC

Tempo Pub Date : 2024-08-28 DOI:10.1017/s0040298224000093

Christopher Fox

{"title":"新音乐与可持续发展","authors":"Christopher Fox","doi":"10.1017/s0040298224000093","DOIUrl":null,"url":null,"abstract":"This article proposes a series of connections between the consumption of resources, the creation of new music and ideas about sustainability. A number of examples is discussed, from the nineteenth to the twentieth centuries, that illustrate the ways in which conspicuous, and often ethically questionable, consumption has been a signifier for innovation in new music. The article concludes by introducing three of the author's recent works, The calm of mountains, This has happened before and Hieroglyph, as models of a compositional practice that attempts to enact and embody ideas of sustainability.","PeriodicalId":22355,"journal":{"name":"Tempo","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2024-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"NEW MUSIC AND SUSTAINABILITY\",\"authors\":\"Christopher Fox\",\"doi\":\"10.1017/s0040298224000093\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article proposes a series of connections between the consumption of resources, the creation of new music and ideas about sustainability. A number of examples is discussed, from the nineteenth to the twentieth centuries, that illustrate the ways in which conspicuous, and often ethically questionable, consumption has been a signifier for innovation in new music. The article concludes by introducing three of the author's recent works, The calm of mountains, This has happened before and Hieroglyph, as models of a compositional practice that attempts to enact and embody ideas of sustainability.\",\"PeriodicalId\":22355,\"journal\":{\"name\":\"Tempo\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-08-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Tempo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0040298224000093\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tempo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0040298224000093","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}

引用次数: 0

摘要

本文提出了资源消耗、新音乐创作和可持续发展理念之间的一系列联系。文章讨论了从十九世纪到二十世纪的一些例子，这些例子说明了显性消费（往往是道德上有问题的消费）如何成为新音乐创新的标志。文章最后介绍了作者最近的三部作品：《群山的平静》、《以前发生过的事》和《象形文字》，将其作为作曲实践的典范，这些作品试图诠释和体现可持续发展的理念。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

NEW MUSIC AND SUSTAINABILITY

This article proposes a series of connections between the consumption of resources, the creation of new music and ideas about sustainability. A number of examples is discussed, from the nineteenth to the twentieth centuries, that illustrate the ways in which conspicuous, and often ethically questionable, consumption has been a signifier for innovation in new music. The article concludes by introducing three of the author's recent works, The calm of mountains, This has happened before and Hieroglyph, as models of a compositional practice that attempts to enact and embody ideas of sustainability.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Tempo MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

19 weeks

期刊介绍： Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.