格吕内瓦尔德的自然医学：在伊森海姆祭坛画中重新认识自然

IF 0.1 4区历史学 0 MEDIEVAL & RENAISSANCE STUDIES

PARERGON Pub Date : 2024-08-23 DOI:10.1353/pgn.2024.a935336

Emily Poore

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引用次数: 0

摘要

摘要:本文在之前对伊森海姆祭坛画（约 1500-16 年）研究的基础上，重点探讨了其设计中动植物的医学宗教功能。文章认为，格吕内瓦尔德的一些自然题材画作介绍了如何收获和配制治疗被统称为 "圣安东尼之火 "的疾病的药方，而另一些画作则旨在描绘这些疾病的身体和精神症状。我们研究了这些苦难图像的目的，它们是一种通过情感虔诚实践激活的精神药物。

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Grünewald's Natural Medicine: Revisualising Nature in the Isenheim Altarpiece

Abstract:

This article builds on prior studies of the Isenheim Altarpiece (c. 1500–16) by focusing on the medico-religious function of the plants and animals that feature in its design. It argues that while some of Grünewald's paintings of natural subjects presented instructions for harvesting and formulating remedies against illnesses collectively known as St Anthony's Fire, others were intended to depict the physical and spiritual symptoms of these diseases. The purpose of these images of suffering as a form of spiritual medicine that was activated by the practice of affective piety is examined.

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来源期刊

PARERGON MEDIEVAL & RENAISSANCE STUDIES-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Parergon publishes articles and book reviews on all aspects of medieval and early modern studies. It has a particular focus on research which takes new approaches and crosses traditional disciplinary boundaries. Fully refereed and with an international Advisory Board, Parergon is the Southern Hemisphere"s leading journal for early European research. It is published by the Australian and New Zealand Association of Medieval and Early Modern Studies (Inc.) and has close links with the ARC Network for Early European Research.