{"title":"\"像所罗门一样跳舞：卡扎尔格扎尔诗中的模仿与殉难\"","authors":"Dominic Parviz Brookshaw","doi":"10.1080/1475262x.2024.2383598","DOIUrl":null,"url":null,"abstract":"Iran’s neoclassical Literary Return movement (Bāzgasht-i adabī) that reached its climax in the first half of the nineteenth century has, to date, been studied almost exclusively in relation to the ...","PeriodicalId":53920,"journal":{"name":"Middle Eastern Literatures","volume":"2016 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“To dance like Solomon: imitation and martyrdom in a Qajar ghazal”\",\"authors\":\"Dominic Parviz Brookshaw\",\"doi\":\"10.1080/1475262x.2024.2383598\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Iran’s neoclassical Literary Return movement (Bāzgasht-i adabī) that reached its climax in the first half of the nineteenth century has, to date, been studied almost exclusively in relation to the ...\",\"PeriodicalId\":53920,\"journal\":{\"name\":\"Middle Eastern Literatures\",\"volume\":\"2016 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-08-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Middle Eastern Literatures\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1475262x.2024.2383598\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Middle Eastern Literatures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1475262x.2024.2383598","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
“To dance like Solomon: imitation and martyrdom in a Qajar ghazal”
Iran’s neoclassical Literary Return movement (Bāzgasht-i adabī) that reached its climax in the first half of the nineteenth century has, to date, been studied almost exclusively in relation to the ...
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