欺骗之花:专家对未来过去的怀念及其对农业劳动的遮蔽

IF 1.9 1区 社会学 Q1 ANTHROPOLOGY
AMRITA KURIAN
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引用次数: 0

摘要

本文从情感的角度出发,认为理解后殖民时期专家的情感和忠诚对于确定谁是专家的 "公众",从而确定谁能从国家干预中获益,谁不能获益至关重要。在安得拉邦烟草寄生虫肆虐后的环境可持续发展倡议之后,我分析了专家们对拥有土地的农民的关注,以及他们对无地劳工的消极忽视和主动反感。文章将专家的教学方法与寄生虫诱人的花朵相提并论,寄生虫和植物之间复杂的纠葛隐藏在土壤表层之下。我指出,后殖民主义的情感制度将拥有土地的农民理想化,使专家和农民的共同文化环境--土地所有权和对种姓劳动的集体依赖--变得无形。专家们的教学方法激发了人们对失去的过去的怀念,具有生产性,在补贴单一文化的同时,也使农民的主体性实现了新自由化。由于他们的缺席,劳动者面临着气候的不稳定性和对他们的怨恨的再生产。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

FLOWERS OF DECEPTION: The Expert's Nostalgia for a Future's Past and its Occlusion of Agrarian Labor

FLOWERS OF DECEPTION: The Expert's Nostalgia for a Future's Past and its Occlusion of Agrarian Labor

Using the lens of affect, this article argues that understanding the sensibilities and allegiances of postcolonial experts is vital to determining who constitutes the expert's “public” and, thus, who benefits from state interventions and who doesn't. Following environmental sustainability initiatives in the wake of a parasitic infestation of tobacco in Andhra Pradesh, I analyze experts' concern for landowning farmers in contrast to their passive neglect and active resentment of landless laborers. The article draws parallels between the experts' pedagogies and the parasite's deceptively attractive bloom, which hides complex entanglements between parasite and plant beneath the soil surface. I show that a postcolonial emotional regime idealizes landowning farmers and renders invisible the experts' and farmers' common cultural milieu of landownership and collective dependence on caste-based labor. Invoking nostalgia for a lost past, experts' pedagogies are productive, subsidizing monoculture while neo-liberalizing farmers' subjectivities. By their absenting, laborers face climate precarity and the reproduction of resentment against them.

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来源期刊
Cultural Anthropology
Cultural Anthropology ANTHROPOLOGY-
CiteScore
4.80
自引率
0.00%
发文量
41
审稿时长
52 weeks
期刊介绍: Cultural Anthropology publishes ethnographic writing informed by a wide array of theoretical perspectives, innovative in form and content, and focused on both traditional and emerging topics. It also welcomes essays concerned with ethnographic methods and research design in historical perspective, and with ways cultural analysis can address broader public audiences and interests.
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