安东尼奥-圣埃利亚与未来主义

Michael Tubli
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引用次数: 0

摘要

在新艺术派建筑的主要趋势(新古典主义、新浪漫主义、理性主义、非理性主义)体系中,未来主义属于非理性趋势,其中形成了否定新艺术派的前卫美学。圣埃利亚的创作态度、艺术实践和生活立场都属于未来主义的主流,未来主义对他的艺术创作起到了强大的推动作用。圣埃利亚的未来主义史诗远远领先于十九世纪末二十世纪初最合理化的建筑。他建议将城市作为一个设计单元,而不是单个建筑或城市布局的片段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Antonio Sant’Elia and Futurism
In the system of the main trends of Art Nouveau architecture (neoclassicism, neo-Romanticism, rationalism, irrationalism), futurism belonged to irrational trends in which avant-garde aesthetics, which denied Art Nouveau, was formed. Creative attitudes, artistic practice and life position of Sant’Elia lay in the mainstream of futurism, which played the role of a powerful artistic impetus. The futuristic epos of Sant’Elia was far ahead of the most rationalized architecture of the late nineteenth and early twentieth centuries. He suggested thinking in terms of the city as a design unit, rather than individual buildings or fragments of urban layouts.
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