锤炼钢琴：以语料库为基础研究巴赫在《随想曲》中对音调的认知

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2024-07-30 DOI:10.1080/09298215.2024.2375552

Andrew Blake, Joshua Albrecht

引用次数: 0

摘要

如今，人们都知道 J.S. 巴赫的《全音阶钢琴协奏曲》（The Well-Tempered Clavier，简称 WTC）并不是以平均律为基础创作的，但究竟是哪一种平均律（如果有的话）却不得而知。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Tempering the clavier: a corpus-based examination of Bach’s cognition of intonation in the Well-Tempered Clavier

While it is well known today that J.S. Bach’s The Well-Tempered Clavier (WTC) was not composed with equal temperament in mind, it is unknown exactly which, if any, well temperament Bach had intende...

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.