作为互动诗歌治疗小组进程的一部分,对乳腺癌经历进行反思性写作

IF 1.5 3区 心理学 Q3 PSYCHOLOGY, CLINICAL
Johanna Holopainen , Juhani Ihanus
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引用次数: 0

摘要

本研究的重点是参加互动诗歌治疗小组进程的乳腺癌幸存者所写的文章。写作小组由 4-6 名参与者组成,在 2019 年期间举行了 18 次会议。小组活动遵循RES诗歌治疗模式,诗歌治疗干预则遵循反思和转化写作过程模式实施。本研究的目的是描述小组所使用的方法,并分析参与者对其患病经历的书面反思中所确定的主题。具体来说,研究试图回答以下问题:1) 参与者在书写自己的乳腺癌经历时,认为哪些事情是有意义的?2) 这些事情是如何通过促进性反思和转化性写作过程被主题化的?我们采用解释性现象分析法(IPA)对参与者的写作进行了分析。确定了三个主要主题和几个次主题。这些主题是1) 作为乳腺癌幸存者被看到和听到;2) 疾病留下的痕迹;3) 尽管身患疾病,但我仍在生活和呼吸。这项研究为乳腺癌如何融入一个人的自我身份和生命故事提供了新的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reflective writing about breast cancer experiences as part of an interactive poetry therapy group process

This study focused on texts written by breast cancer survivors who participated in an interactive poetry therapy group process. The writing group consisted of 4–6 participants who met 18 times during 2019. The group activities followed the RES poetry therapy model, and the poetry therapy intervention was implemented following the Reflective and Transformative Writing Process Model. The aim of the study was to describe the methods used in the group and to analyze the themes identified in the participants’ written reflections on their experiences with their illness. Specifically, the study sought to answer the following questions: 1) What kinds of things were found meaningful by the participants in writing about their experiences with breast cancer? 2) How were these things thematized through the process of facilitated reflective and transformative writing? Participants’ writings were analyzed using Interpretative Phenomenological Analysis (IPA). Three main themes, along with several sub-themes, were identified. The main themes were: 1) being seen and heard as a breast cancer survivor, 2) the traces left by the disease, and 3) I live and breathe despite the disease. This study provides new insights into how breast cancer becomes integrated into a person’s selfhood and life story.

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来源期刊
CiteScore
3.20
自引率
11.10%
发文量
66
期刊介绍: The Arts in Psychotherapy is a dynamic, contemporary journal publishing evidence-based research, expert opinion, theoretical positions, and case material on a wide range of topics intersecting the fields of mental health and creative arts therapies. It is an international peer-reviewed journal publishing 5 issues annually. Papers are welcomed from researchers and practitioners in the fields of art, dance/movement, drama, music, and poetry psychotherapy, as well as expressive and creative arts therapy, neuroscience, psychiatry, education, allied health, and psychology that aim to engage high level theoretical concepts with the rigor of professional practice. The journal welcomes contributions that present new and emergent knowledge about the role of the arts in healthcare, and engage a critical discourse relevant to an international readership that can inform the development of new services and the refinement of existing policies and practices. There is no restriction on research methods and review papers are welcome. From time to time the journal publishes special issues on topics warranting a distinctive focus relevant to the stated goals and scope of the publication.
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