{"title":"近距离》(2022 年)的现实主义和电影声音的 \"无意识附加值\":对 Yanna Soentjens 的采访","authors":"Cátia Susana Machado Beato","doi":"10.14591/aniki.v11n2.1005","DOIUrl":null,"url":null,"abstract":"Interview with Yanna Soentjens, sound engineer, about the sound environment she created for Close (2022), a drama film directed by Lukas Dhont. Soentjens reflects on various elements present in the film, as well as how they were thought of, captured, and mixed. By deepening the knowledge of her professional trajectory, the interview allows for a better understanding of her creative process and the importance of sound in cinema, not only as an inseparable element of the image but also as an instrument of connection between the film and the viewer.","PeriodicalId":492926,"journal":{"name":"Aniki: Revista Portuguesa da Imagem em Movimento","volume":" August","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Realism of Close (2022) and ‘the Unconscious Added Value’ of Sound in Movies: An Interview with Yanna Soentjens\",\"authors\":\"Cátia Susana Machado Beato\",\"doi\":\"10.14591/aniki.v11n2.1005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Interview with Yanna Soentjens, sound engineer, about the sound environment she created for Close (2022), a drama film directed by Lukas Dhont. Soentjens reflects on various elements present in the film, as well as how they were thought of, captured, and mixed. By deepening the knowledge of her professional trajectory, the interview allows for a better understanding of her creative process and the importance of sound in cinema, not only as an inseparable element of the image but also as an instrument of connection between the film and the viewer.\",\"PeriodicalId\":492926,\"journal\":{\"name\":\"Aniki: Revista Portuguesa da Imagem em Movimento\",\"volume\":\" August\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-07-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Aniki: Revista Portuguesa da Imagem em Movimento\",\"FirstCategoryId\":\"0\",\"ListUrlMain\":\"https://doi.org/10.14591/aniki.v11n2.1005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aniki: Revista Portuguesa da Imagem em Movimento","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.14591/aniki.v11n2.1005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
采访录音师 Yanna Soentjens,了解她为 Lukas Dhont 执导的剧情片 Close (2022) 创造的声音环境。Soentjens 回顾了影片中的各种元素,以及如何考虑、捕捉和混合这些元素。通过加深对其职业轨迹的了解,访谈让人们更好地理解了她的创作过程以及声音在电影中的重要性,声音不仅是影像不可分割的元素,也是连接电影与观众的工具。
The Realism of Close (2022) and ‘the Unconscious Added Value’ of Sound in Movies: An Interview with Yanna Soentjens
Interview with Yanna Soentjens, sound engineer, about the sound environment she created for Close (2022), a drama film directed by Lukas Dhont. Soentjens reflects on various elements present in the film, as well as how they were thought of, captured, and mixed. By deepening the knowledge of her professional trajectory, the interview allows for a better understanding of her creative process and the importance of sound in cinema, not only as an inseparable element of the image but also as an instrument of connection between the film and the viewer.