拉菲亚-扎卡里亚《楼上的妻子》中的次等性与流离失所:对巴基斯坦小说的批判

Maria Jabbar, Dr. Muhammad Arfan Lodhi
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引用次数: 0

摘要

本研究探讨了拉菲亚-扎卡里亚(Rafia Zakaria)的著作《楼上的妻子》(Upstairs Wife)中的次等性、流离失所和反抗等主题,该书以 20 世纪 70 年代和 80 年代巴基斯坦的社会政治动荡为背景。研究通过对文本的仔细阅读和主题分析,探讨了书中人物--尤其是女主人公阿米娜--如何在一个父权制、经济分层和政治动荡的社会中,在各种相互重叠的压迫和边缘化中挣扎。研究强调了巴基斯坦社会中边缘化群体必须面对的普遍不公正和不公平现象,如经济不稳定、性别亚等性和宗教异化。此外,研究还探讨了人物在身体、情感和政治层面流离失所的几种方式。通过研究次等地位与流离失所之间的联系,研究阐明了弱势群体中错综复杂的权力、身份形式和反抗过程。研究结果为今后有关文学、身份和权力关系的研究和学术研究,以及巴基斯坦和全世界有关社会正义、赋权和人权的更广泛对话提供了启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Subalternity and Displacement in Rafia Zakaria’s “Upstairs Wife”: A Critique upon Pakistani Fiction
The study explored the themes of subalternity, displacement, and resistance in Rafia Zakaria’s book “Upstairs Wife”, which is set in Pakistan in the 1970s and 1980s against a backdrop of sociopolitical unrest. The research examined how characters—especially the heroine Amina—maneuver through overlapping kinds of oppression and marginalization within a patriarchal, economically stratified, and politically unstable society through careful reading and thematic analysis of the text. The research highlighted the widespread injustices and inequities that marginalized groups in Pakistani society must contend with, such as economic precarity, gendered subalternity, and religious othering. In addition, the research looked at the several ways that characters have been displaced on a physical, emotional, and political level. The research clarified the intricate processes of power, identity forms, and resistance among disadvantaged groups by examining the connections between subalternity and displacement. The findings provide insights for future study and scholarship on literature, identity, and power relations, as well as to larger conversations about social justice, empowerment, and human rights in Pakistan and throughout the world.
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