{"title":"散文小说中的话语形象","authors":"Leona Toker","doi":"10.1515/fns-2024-2001","DOIUrl":null,"url":null,"abstract":"\n The essay demonstrates the relationship between specific figures of discourse dominant in particular novels and the thematic concerns or plot patterns of each individual novel. The figures discussed are (1) enthymeme, prominent in Laurence Sterne’s Tristram Shandy and important also in Joyce’s Ulysses; (2) hypallage, part of the rhetoric of Dickens’s A Tale of Two Cities, reflecting its plot pattern and its cluster of concerns; and (3) blazon, which helps to convey the implied author’s critique of the attitudes of the first-person narrator of Lolita.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Figures of discourse in prose fiction\",\"authors\":\"Leona Toker\",\"doi\":\"10.1515/fns-2024-2001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The essay demonstrates the relationship between specific figures of discourse dominant in particular novels and the thematic concerns or plot patterns of each individual novel. The figures discussed are (1) enthymeme, prominent in Laurence Sterne’s Tristram Shandy and important also in Joyce’s Ulysses; (2) hypallage, part of the rhetoric of Dickens’s A Tale of Two Cities, reflecting its plot pattern and its cluster of concerns; and (3) blazon, which helps to convey the implied author’s critique of the attitudes of the first-person narrator of Lolita.\",\"PeriodicalId\":29849,\"journal\":{\"name\":\"Frontiers of Narrative Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Frontiers of Narrative Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/fns-2024-2001\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Frontiers of Narrative Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/fns-2024-2001","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章展示了在特定小说中占主导地位的特定话语形象与每部小说的主题关注点或情节模式之间的关系。讨论的语词包括：（1）enthymeme，在劳伦斯-斯特恩（Laurence Sterne）的《特里斯特拉姆-香迪》（Tristram Shandy）中很突出，在乔伊斯的《尤利西斯》（Ulysses）中也很重要；（2）hypallage，狄更斯《双城记》（A Tale of Two Cities）修辞的一部分，反映了其情节模式和关注点；以及（3）blazon，有助于传达作者对《洛丽塔》第一人称叙述者态度的隐含批评。
The essay demonstrates the relationship between specific figures of discourse dominant in particular novels and the thematic concerns or plot patterns of each individual novel. The figures discussed are (1) enthymeme, prominent in Laurence Sterne’s Tristram Shandy and important also in Joyce’s Ulysses; (2) hypallage, part of the rhetoric of Dickens’s A Tale of Two Cities, reflecting its plot pattern and its cluster of concerns; and (3) blazon, which helps to convey the implied author’s critique of the attitudes of the first-person narrator of Lolita.
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