春天,一切不再危险

IF 0.1 N/A POETRY
Elin Käck
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引用次数: 0

摘要

这篇文章重温了威廉-卡洛斯-威廉斯在一次小组讨论会上的发言,该发言对诗歌和诗学的讨论产生了重大影响,同时也明确了短篇抒情诗的威廉斯与《春天与一切》等突破体裁、实验性作品的威廉斯之间存在的批评分歧。讨论会于 1983 年在纽约市举行的文学和艺术协会大会上举行,发言人是查尔斯-伯恩斯坦。本特刊的这篇介绍性文章讨论了最初的活动以及演讲本身--"岌岌可危的学院":William Carlos Williams Meets the MLA"(威廉-卡洛斯-威廉姆斯与文学与艺术协会的会面),该演讲后来以论文形式发表。伯恩斯坦与鲍勃-佩雷尔曼 (Bob Perelman) 和朱莉安娜-斯帕尔 (Juliana Spahr) 一起参加了 2023 年文学和艺术协会威廉斯小组讨论会,就《春与万物》出版 100 周年和 "危难中的学院 "出版 40 周年发表了各自的观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spring and All No Longer in Peril
This article revisits a talk at a William Carlos Williams panel that would come to have a major impact on discussions of poetry and poetics, but which also made clear the problematic critical divide between the Williams of the short lyric and the Williams of genre-defying, experimental work, such as Spring and All. The panel took place at the 1983 MLA Convention in New York City, and the speaker was Charles Bernstein. This introductory article to this special issue discusses the original event as well as the talk itself—“The Academy in Peril: William Carlos Williams Meets the MLA”—which has since been published in essay form. In addition, this introduction considers the lasting importance of Spring and All, which was also the topic of a 2023 MLA Williams panel in which Bernstein participated with Bob Perelman and Juliana Spahr to provide their perspectives on the 100th anniversary of Spring and All and the fortieth anniversary of “The Academy in Peril.”
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