巴厘岛 Petitenget 寺接受瓦扬卡马桑瓷器的情况

Sunarini Rai, Mudra I Wayan, Saraswati Anak Agung Ayu Oka, Muka I Ketut, Karja I Wayan
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引用次数: 0

摘要

寺庙是印度佛法崇拜不可或缺的一部分,也是巴厘岛建筑传统的典型特征。在这些寺庙中,佩蒂滕盖特寺以其独特的内部装饰脱颖而出,其陶瓷盘点缀着神龛(pelinggih)。本研究以 Petitenget 寺为重点,在 Tri Angga 框架内使用了以 Wayang Kamasan 图案为特色的陶瓷盘,这是一种新颖的探索。与巴厘岛古建筑中使用瓷器作为装饰品相关的研究。此前已开展过相关研究,但尚未深入研究瓦扬-卡马桑图案在佩林吉上的应用,尤其是在三安吉概念中的应用。本研究旨在揭示带有瓦扬卡马桑图案的瓷器作为佩林吉装饰品的形式、意义和审美价值。研究采用描述性的定性方法,数据收集包括观察、深入访谈、记录和数据还原流程。同时,数据源抽样技术采用了目的性抽样。通过对巴东克罗博坎 Petitenget 寺的瓦扬卡马桑图案瓷盘进行分析,得出的结论是瓦扬图案瓷器的和谐性,是在神圣建筑和其他功能中保留使用瓦扬卡马桑图案瓷器的原型或参考,寺庙游客可以欣赏到安装有瓦扬卡马桑图案的瓷器所展示的形式、意义和美感。从这项研究中可以得出结论,Wayang Kamasan 陶瓷得到了社区、寺庙业主或 Petitenget 寺庙业主的认可。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Acceptance of Wayang Kamasan Porcelain Ceramics at Petitenget Temple Bali
Temples, integral to Hindu Dharma worship, are quintessential features of Balinese architectural tradition. Among these, Petitenget Temple stands out with its distinctive interior, adorned with ceramic plates embellishing the pelinggih (shrine). This study focuses on Petitenget Temple, where porcelain ceramic plates featuring the Wayang Kamasan motif are utilized within the Tri Angga framework, representing a novel exploration. Research related to the study of the use of porcelain ceramics as ornaments in old buildings in Bali. Previous research has been carried out but has not been studied in depth on the use of Wayang Kamasan motifs on pelinggih with the Tri Angga concept in particular. This research aims to reveal the form, meaning, and aesthetic value of porcelain ceramics with wayang kamasan motifs as ornaments on pelinggih. Using qualitative methods with a descriptive approach, data collection involved observation, in-depth interviews, and documentation, and data reduction flow. Meanwhile, the data source sampling technique uses purposive sampling. The findings obtained through analysis of the Wayang Kamasan motif applied to porcelain ceramic plates at Petitenget Temple, Kerobokan Badung, are the harmony of Wayang motif porcelain ceramics, as a prototype or reference for preserving the use of Wayang Kamasan motif porcelain ceramics in sacred buildings and other functions, and temple visitors can enjoy the form, meaning, and aesthetics displayed by the porcelain ceramics with Wayang Kamasan motifs installed. From this research, it can be concluded that Wayang Kamasan porcelain ceramics are accepted by the community, temple owners, or Petitenget Temple owners.
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