巴厘岛塔曼野生动物园和海洋公园的巴厘岛阿贡剧院中的跨文化关系表现:巴厘岛旅游表演艺术的论述

Yoga Kharisma Pradana Gede, Nyoman Surya Wijaya, I. G. Ketut Purnaya
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引用次数: 0

摘要

本文旨在理解和解释巴厘岛塔曼野生动物园和海洋公园巴厘阿贡剧场中关于跨文化关系的论述。巴厘岛塔曼野生动物园和海洋公园的巴厘岛阿贡剧场是巴厘岛塔曼野生动物园和海洋公园为旅游目的而创新的巴厘岛表演艺术。作为一种巴厘岛旅游表演艺术,在以典型中国艺术为特色的表演场景中体现了跨文化关系。巴厘岛阿贡剧场的叙事话语由演员根据巴厘岛传统社会的民间传说发展而来。主要问题:1)巴厘岛塔曼野生动物园和海洋公园巴厘岛阿贡剧场中的跨文化关系形式是什么;2)巴厘岛塔曼野生动物园和海洋公园巴厘岛阿贡剧场中的跨文化关系话语是什么。巴厘岛塔曼野生动物园和海洋公园巴厘岛阿贡剧场的跨文化话语分析采用定性方法完成。通过对 Taman Safari 的观察和对巴厘岛阿贡剧场演员的访谈收集了原始数据。从文献研究中收集的二手数据对数据成果进行了补充。所有数据均采用知识-权力关系理论和结构化理论进行分析。研究结果表明1) 巴厘岛塔曼野生动物园和海洋公园通过巴厘岛阿贡剧院的巴厘岛文化适应,展示了跨文化关系的话语。文化熏陶可以通过道具和舞蹈动作等艺术形式体现出来;2)巴厘岛阿贡剧场中的跨文化关系话语包括文化遗产话语、教育话语和暴力话语。这种戏剧话语以姜清伟、国王和德威-达努为中心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representation of Cross-Cultural Relations in the Bali Agung Theater at Taman Safari & Marine Park Bali : A Discourse in Balinese Tourism Performing Arts
This article aims to understand and explain the discourse on cross-cultural relations in the Bali Agung Theater at Taman Safari & Marine Park Bali. The Bali Agung Theater at Taman Safari & Marine Park Bali is an innovative Balinese performance art for tourism purposes at Taman Safari & Marine Park Bali. As a Balinese tourism performing art, there is a representation of cross-cultural relations in performance scenes featuring typical Chinese arts. The narrative discourse of the Bali Agung Theater was developed by actors based on the folklore of traditional Balinese society. The main problems: 1) What are the forms of cross-cultural relations in the Bali Agung Theater at Taman Safari & Marine Park Bali?; 2) What is the discourse on cross-cultural relations in the Bali Agung Theater at Taman Safari & Marine Park Bali?. The cross-cultural discourse analysis in the Bali Agung Theater at Taman Safari and Marine Park Bali was completed using qualitative methods. Primary data was collected through observations at the Taman Safari and interviews with actors at the Bali Agung Theater. Data achievements are complemented by secondary data collection from literature studies. All data were analyzed using knowledge-power relations theory and structuration theory. The research results show that: 1) Taman Safari & Marine Park Bali displays discourse on cross-cultural relations through Balinese cultural acculturation at the Bali Agung Theatre. Cultural acculturation can be seen in art in the form of props and dance movements; 2) The discourse on cross-cultural relations in the Bali Agung Theater consists of cultural heritage discourse, educational discourse, and violence discourse. This theatrical discourse centers on Kang Ching Wei, King, and Dewi Danu.
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