从穆尔维的女性主义视角看 "无处不在的一切"

Chen Lei, M. H. Azahari
{"title":"从穆尔维的女性主义视角看 \"无处不在的一切\"","authors":"Chen Lei, M. H. Azahari","doi":"10.6007/ijarbss/v14-i7/21963","DOIUrl":null,"url":null,"abstract":"This paper employs Laura Mulvey's feminist theory to analyze the feminist elements in the Hollywood Kung Fu film \"Everything Everywhere All at Once.\" Utilizing semi-structured interviews and narrative analysis, it reveals how the film's female characters demonstrate strength and independence. This reflects changes in female self-identity in modern society and challenges traditional gender norms. The research finds that the film's gender depiction aligns with feminist film theory, indicating Hollywood's acceptance of a feminist perspective. This marks progress in both gender portrayal and cultural cognition. Finally, the research emphasizes the need for future studies to explore the intersection of multiculturalism and gender perspectives in Hollywood films to further develop feminist film theory.","PeriodicalId":13768,"journal":{"name":"International Journal of Academic Research in Business and Social Sciences","volume":"111 41","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Everything Everywhere All at Once” Through Mulvey’s Feminist Perspective\",\"authors\":\"Chen Lei, M. H. Azahari\",\"doi\":\"10.6007/ijarbss/v14-i7/21963\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper employs Laura Mulvey's feminist theory to analyze the feminist elements in the Hollywood Kung Fu film \\\"Everything Everywhere All at Once.\\\" Utilizing semi-structured interviews and narrative analysis, it reveals how the film's female characters demonstrate strength and independence. This reflects changes in female self-identity in modern society and challenges traditional gender norms. The research finds that the film's gender depiction aligns with feminist film theory, indicating Hollywood's acceptance of a feminist perspective. This marks progress in both gender portrayal and cultural cognition. Finally, the research emphasizes the need for future studies to explore the intersection of multiculturalism and gender perspectives in Hollywood films to further develop feminist film theory.\",\"PeriodicalId\":13768,\"journal\":{\"name\":\"International Journal of Academic Research in Business and Social Sciences\",\"volume\":\"111 41\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-07-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Academic Research in Business and Social Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6007/ijarbss/v14-i7/21963\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Academic Research in Business and Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6007/ijarbss/v14-i7/21963","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文运用劳拉-马尔维的女性主义理论,分析了好莱坞功夫片《万事如意》中的女性主义元素。通过半结构式访谈和叙事分析,本文揭示了影片中的女性角色如何表现出坚强和独立。这反映了现代社会女性自我认同的变化,并挑战了传统的性别规范。研究发现,影片的性别描写与女性主义电影理论相一致,表明好莱坞接受了女性主义观点。这标志着性别描写和文化认知的进步。最后,研究强调,今后的研究需要探索好莱坞电影中多元文化与性别视角的交叉点,以进一步发展女性主义电影理论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Everything Everywhere All at Once” Through Mulvey’s Feminist Perspective
This paper employs Laura Mulvey's feminist theory to analyze the feminist elements in the Hollywood Kung Fu film "Everything Everywhere All at Once." Utilizing semi-structured interviews and narrative analysis, it reveals how the film's female characters demonstrate strength and independence. This reflects changes in female self-identity in modern society and challenges traditional gender norms. The research finds that the film's gender depiction aligns with feminist film theory, indicating Hollywood's acceptance of a feminist perspective. This marks progress in both gender portrayal and cultural cognition. Finally, the research emphasizes the need for future studies to explore the intersection of multiculturalism and gender perspectives in Hollywood films to further develop feminist film theory.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信