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引用次数: 0
摘要
路易丝-阿斯顿在 19 世纪 40 年代的作品通常是在作者生平和传记的背景下进行解读的。本文不同于这种解读。相反,我将探讨专注于作者生平的解读在多大程度上有可能忽略阿斯顿在其虚构世界中所描绘的行为视角和性别角色。通过阿斯顿的诗集《王尔德-罗森》(Wilde Rosen,1846 年)、1846 年的小册子《我的解放》(Meine Emancipation, Verweisung und Rechtfertigung)以及三部小说《一个女人的生活》(Aus dem Leben einer Frau,1847 年)、《莉迪亚》(Lydia,1848 年)和《革命与反革命》(Revolution und Contrerevolution,1850 年),我分析了她作品中的一些核心主题。此外,我还结合阿斯顿所处时代无产阶级工人的境况,研究了她对针对妇女的社会经济暴力的分析以及交叉视角。最后,我将重点放在阿斯顿的性别实践上,尤其是从她笔下的人物爱丽丝-冯-罗森(Alice von Rosen)身上可以看出这一点。正是阿斯顿在性别、性暴力和社会经济暴力之间的交叉联系,使她的文学作品至今仍耐人寻味。
LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS
Louise Aston's work during the 1840s is usually read within the context of the author's life and biography. This paper differs from this reading. Instead, I explore the extent to which a reading fixated on the author's life runs the risk of overlooking the perspective of behaviours and gender roles that Aston portrayed in her fictional worlds. Using Aston's poem cycle Wilde Rosen (1846), her 1846 pamphlet Meine Emancipation, Verweisung und Rechtfertigung and the three novels Aus dem Leben einer Frau (1847), Lydia (1848) and Revolution und Contrerevolution (1850), I analyse some of the central motifs of her work. Furthermore, I examine Aston's analysis of socio-economic violence against women and the intersectional perspective in the context of the situation of the proletarian workers of her time. Finally, my focus lies on Aston's gender practices, as can be seen particularly in her character Alice von Rosen. It is precisely Aston's intersectional connection between gender, and sexual and socio-economic violence that make her literary works so intriguing up to this day.
期刊介绍:
- German Life and Letters was founded in 1936 by the distinguished British Germanist L.A. Willoughby and the publisher Basil Blackwell. In its first number the journal described its aim as "engagement with German culture in its widest aspects: its history, literature, religion, music, art; with German life in general". German LIfe and Letters has continued over the decades to observe its founding principles of providing an international and interdisciplinary forum for scholarly analysis of German culture past and present. The journal appears four times a year, and a typical number contains around eight articles of between six and eight thousand words each.