表演性记忆、档案与摄影。Niekoľko poznámok k tvorbe Lucie Nimcovej / Performative Memory, Archive and Photography.关于露西娅-尼姆科娃作品的几点说明

ARS Pub Date : 2024-06-12 DOI:10.31577/ars-2024-0005
Daniel Grúň
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引用次数: 0

摘要

文章的中心主题是对当代艺术中的档案转向进行批判性审视。通过 "表演性"、"记忆 "等概念以及专门解释档案的理论,文章以探索当代艺术中这一现象的作者为基础。这篇文章的重点是露西娅-尼姆科娃(Lucia Nimcová)的扩展纪录片实践,她的作品重新定位和重新激活了档案照片,我从中发现了解放的潜力,可能会对艺术史中处理中欧和东欧社会主义过去的方法论有所启发。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performatívna pamäť, archív a fotografia. Niekoľko poznámok k tvorbe Lucie Nimcovej / Performative Memory, Archive and Photography. A Few Notes on the Work of Lucia Nimcová
The central motif of the essay is a critical examination of the archival turn in contemporary art. Through the lens of the notions such as “performativity”, “memory”, and theories devoted to interpreting the archive, the text builds on authors who have explored this phenomenon in contemporary art. The main focus of this essay is on the expanded documentary practice by Lucia Nimcová, her works relocating and reactivating archival photographs, in which I detect emancipatory potential that could possibly inspire those methodologies in art history that deal with the socialist past in Central and Eastern Europe.
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ARS
ARS
CiteScore
0.10
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0.00%
发文量
8
审稿时长
12 weeks
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