从区块链到区块交换?音乐制作中的 NFT 和 DIY 创业精神

Pablo Venema, Yosha Wijngaarden
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引用次数: 0

摘要

最近,区块链技术的发展震动了创意产业。特别是在视觉艺术领域,NFT 贸易获得了牵引力。然而,音乐家们也在尝试使用区块链技术。最值得注意的是,在 COVID-19 大流行期间,NFT 的销售被认为可以弥补现场音乐限制造成的部分收入损失。本文探讨了音乐家参与区块链技术的原因,特别是将其音乐作为 NFT 出售,以及他们认为这对其收入、工作实践和商业模式有何影响。通过对 14 位以 NFT 形式销售歌曲的音乐家进行访谈,我们强调了以 NFT 形式销售音乐的两个主要动机:摆脱把关人和平台的商业自主权以及艺术自主权。在受访者的论述中,经济收益并不那么普遍,而且经常被掩盖。总之,这项研究表明,无论音乐家对新的金融技术创新有多大兴趣,追求自主性和真实性仍然是他们的关键所在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Blockchain to blockchange? NFTs and DIY entrepreneurship in music production
Recently, developments in blockchain technology have shaken up the creative industries. Especially in the visual arts, NFT trade gained traction. Yet, musicians have also experimented with implementing blockchain technology. Most notably during the COVID-19 pandemic, the sales of NFTs were thought to compensate for some of the income loss caused by restrictions on live music. This paper explores why musicians engaged with blockchain technology, specifically by selling their music as NFTs, and how they perceive this affected their income, work practices and business models. Building upon 14 interviews with musicians who have sold their songs as NFTs, we highlight two main motivations for selling music NFTs: commercial autonomy from gatekeepers and platforms, and artistic autonomy. Financial gains were less prevalent and often remained obscured in respondents’ discourses. Above all, this research shows that pursuing autonomy and authenticity remains key for musicians, regardless of their appetite for new financial-technological innovations.
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