来自安特卫普(1778-1802 年)的 18 世纪佛兰德斯染色工手稿(未知

Heritage Pub Date : 2024-05-09 DOI:10.3390/heritage7050117
Emile Lupatini, Natalia Ortega Saez
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引用次数: 0

摘要

本文对保存在比利时根特工业博物馆中的一份罕见的染工手稿进行了历史分析。这份手稿出自 18 世纪晚期安特卫普的一位染工之手,其中包含大量的配方。这项研究将使研究人员能够更好地掌握当时该地区传统染色技术和材料的做法。手稿主要侧重于羊毛织物的染色。在 132 种配方中,约有 90 种使用红色染料。此外还介绍了橙色、棕色、黑色、蓝色和绿色的染色配方。文件中提到了茜草、巴西木、红木和胭脂红的使用。为了制作各种红色色调,染色者描述了如何用不同的媒染化合物(主要成分是明矾和锡)处理织物,以及如何配制染色溶液。染出的颜色包括 "茜草红"、"正式红"、"深红"、"大红"、"土耳其红"、"火色 "和 "肉色"。除染色配方外,手稿中还包含各种会计文件以及染色工、客户和供应商之间的往来信件。最后,在描述的配方中还附有 100 多件原始的彩色样品。本文将披露该文物的内容,包括配方、所附样品和通信。本文还将介绍档案研究的结果,将染坊置于城市和社会背景下进行研究。最后,本文将讨论其潜在的局限性,并为未来可能的研究提供途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Unknown 18th-Century Flemish Dyers Manuscript from Antwerp (1778–1802)
This paper presents a historical analysis of a rare dyer’s manuscript, preserved within the Museum of Industry in Ghent, Belgium. The manuscript, originating from a dyer in late 18th-century Antwerp, includes an extensive collection of recipes. The study will enable researchers to better grasp the practices of traditional dyeing techniques and materials in the region during that time. The manuscript focuses primarily on the dyeing of woolen fabrics. Approximately 90 of the 132 recipes utilize red dyes. Recipes for dying orange, brown, black, blue, and green colors are also described. The document mentions the use of madder, brazilwood, redwood, and cochineal. To create a variety of red shades, the dyer describes how fabrics were treated with different mordanting compounds, with alum and tin as the main ingredients, and how the dyeing solutions were prepared. The resulting colors include ‘madder red’, ‘formal red’, ‘crimson’, ‘scarlet’, ‘Turkish red’, ‘fire color’ and ‘flesh color’. In addition to the dyeing recipes, the manuscript contains various accounting documents and correspondences between the dyer, customers, and suppliers. Lastly, over 100 original, colored samples are attached to the described recipes. In this paper, the artifact’s contents will be disclosed, comprising recipes with attached samples and correspondence. Findings resulting from archive research will be included, contextualizing and placing the dyer in their urban and social context. The paper concludes by discussing its potential limitations and provides avenues for possible future research.
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