印刷成像实践

Chun Wai (Wilson) Yeung
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引用次数: 0

摘要

本文讨论了作者从艺术家到策展人和当代版画展览文化制作人的转变过程。通过探索三个展览的创作过程,包括在中国杭州IMPACT 9举办的《我就是我》(2015年)、在西班牙桑坦德IMPACT 10举办的《走出矩阵3.0》(2018年)和在中国香港开放版画工作室举办的《走出矩阵2.0》(2019年),本文以个人的思考来探讨跨文化版画展览作品中艺术实践、合作和集体创作之间的关系。这些研究项目为研究从版画实践到合作策展等版画制作的具体要素提供了机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Print Imaging Practice
This article discusses the author’s transition from artist to curator and cultural producer of contemporary print exhibitions. By exploring the creative process of three exhibitions, including I AM that I AM (2015) at IMPACT 9 in Hangzhou (China), Out of the Matrix 3.0 (2018) at IMPACT 10 in Santander (Spain), and Out of the Matrix 2.0 (2019) at Hong Kong Open Printshop in Hong Kong (SAR, China), this paper uses personal reflections on the relationship between artistic practice, collaboration, and collective creation in cross-cultural print exhibition works. These research projects provide an opportunity to investigate specific elements of print productions from printmaking practice to collaborative curation.
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