I.L. Caragiale.关于作者、读者和不同的诱惑机制,从 A 讲座开始

Q3 Arts and Humanities
Mircea A. Diaconu
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引用次数: 0

摘要

本文旨在通过接受理论、诠释学和文本性的视角,对 I.L. Caragiale 的作品提出质疑,同时对其写作的一些结构性主题,如真理、追求和读者等,提出疑问。通过《O conferență》、《Două loturi》、《Inspecțiune》、《Năpasta》、《D'ale carnavalului》、《Abu Hassan》、《1 Aprilie》等文本,作者旨在强调实质要素、在社会之外,作者将形而上学漫画或空洞的超越理念与对真理、元文本或社会的关注联系起来。在这种情况下,在翁贝托-埃科(Umberto Eco)和沃尔夫冈-伊瑟尔(Wolfgang Iser)的阐释中,I.L. Caragiale 与阿方斯-阿莱斯(Alphonse Allais)或亨利-詹姆斯(Henry James)的相似性得到了支持,因为他们的相关文本都写于 "美好时代 "的鼎盛时期。因此,卡拉盖莱的世界是一个光亮的、共谋的、诱人的反讽世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
I.L. Caragiale. Despre autor, cititor și diferite mecanisme de seducere, pornind de la O conferență
The present text aims to problematise the work of I.L. Caragiale through the lens of reception theories, hermeneutics, and textuality while at the same time questioning some of the structuring themes of his writing, such as truth, the quest and the reader. Using texts such as ‘O conferență’, ‘Două loturi’, ‘Inspecțiune’, ‘Năpasta’, ‘D’ale carnavalului’, ‘Abu Hassan’, ‘1 Aprilie’ and others, the author aims to highlight elements of substance, attitude and style that converge in Caragiale’s writing, which, beyond the social, it associates the metaphysical comic or the idea of empty transcendence with the concern for truth, meta-textuality or the social. In this context, the proximity of I.L. Caragiale to Alphonse Allais or Henry James, in the interpretations of Umberto Eco and Wolfgang Iser, is supported beyond the similarities that legitimise the reading of I.L. Caragiale from the perspective of reception theories, by the fact that their relevant texts were written at the height of the Belle Époque. Therefore, Caragiale’s world appears as a luminous, complicit, seductive irony.
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来源期刊
Swedish Journal of Romanian Studies
Swedish Journal of Romanian Studies Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
25
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