机器美学的表现：电子音乐的声学再想象

IF 0.7 3区艺术学 0 MUSIC

Popular Music Pub Date : 2024-05-16 DOI:10.1017/s026114302400014x

Alex Stevenson

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引用次数: 0

摘要

本文探讨了音乐表演实践的兴起，在这种实践中，电子音乐风格及其电子制作所固有的音乐和音质特征，通过使用原声乐器的现场音乐表演得以仿效。文章借鉴了布鲁米特（1999 年）的 "机器美学 "概念，探讨了这些做法的出现，即音乐家在不使用机器的情况下模仿通常由机器制作的音乐的声学和音乐属性。文章利用半结构式访谈以及对 Abstract Orchestra 和 GoGo Penguin 唱片的音乐分析，试图将这些做法与流行音乐制作和表演中更广泛的功能联系起来。

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The performance of machine aesthetics: acoustic reimagining of electronic music

This article explores the emergence of musical performance practices whereby electronic music styles, along with the musical and sonic characteristics inherent in their electronic production, are emulated through live musical performance using acoustic instrumentation. The article draws on Brummett's (1999) concept of ‘machine aesthetics’ to explore the emergence of these practices, whereby musicians emulate sonic and musical attributes of music usually produced by machines, without the use of machines. Utilising semi-structured interviews and musical analysis of records by Abstract Orchestra and GoGo Penguin, the article attempts to contextualise these practices within their broader function in popular music production and performance.

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来源期刊

Popular Music MUSIC-

CiteScore

1.20

自引率

0.00%

发文量

期刊介绍： Popular Music is an international multi-disciplinary journal covering all aspects of the subject - from the formation of social group identities through popular music, to the workings of the global music industry, to how particular pieces of music are put together. The journal includes all kinds of popular music, whether rap or rai, jazz or rock, from any historical era and any geographical location. Popular Music carries articles by scholars from a variety of disciplines and theoretical perspectives. Each issue contains substantial, authoritative and influential articles, topical pieces, and reviews of a wide range of books.