从算法再驯化视角看当代大学生的审美机制

Lingyu Zhao
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摘要

不可否认,短视频平台的出现给社会带来了重大变革。重新 "本土化"(re-domestication)的过程涉及个人与以往技术的互动和利用的调整。互联网的出现以及随之而来的新型社交媒体平台的激增,产生了大量新的社会影响。包括 TikTok 在内的社交媒体平台被认为对大学生的审美偏好产生了重大影响。选择将媒体重新 "本土化",是对社会中更多令人焦虑的方面的反叛。从闲聊中可以明显看出,当代大学生在面对 TikTok 算法带来的审美不安时,表现出了一种挑剔的心态。每个人都会继续优先考虑自己最初的选择,并通过实际应用来证明这一点,从而重新配置算法,使其符合个人的审美趣味。相当一部分大学生对媒体信息进行了批判性分析,对互联网上盛行的比较表达了幻灭感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Today's College Students' Aesthetic Mechanisms from an Algorithmic Re-domestication Perspective
The emergence of short video platforms has undeniably brought about a significant transformation in society. The process of re-domestication involves the adaptation of individuals' interactions with and utilization of previous technologies. The advent of the internet and the subsequent proliferation of novel social media platforms have engendered a plethora of new societal impacts. Social media platforms, including TikTok, are believed to have a substantial influence on the aesthetic preferences of college students. The choice to re-domesticate the media is a rebellion against the more anxiety-inducing aspects of society. It is apparent from casual conversations that present-day university students exhibit a discerning mindset when confronted with aesthetic unease stemming from TikTok algorithms. Individuals continue to prioritize their initial choices and demonstrate this through practical application, thereby reconfiguring the algorithms to align with their personal aesthetic tastes. A significant proportion of college students engage in critical analysis of media information, expressing a sense of disillusionment towards the prevalence of comparisons seen on the internet.
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