新音乐剧《海伦

IF 0.2 3区历史学 N/A CLASSICS

ARETHUSA Pub Date : 2024-04-25 DOI:10.1353/are.2024.a925541

John C. Franklin

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引用次数: 0

摘要

摘要:本文讨论了欧里庇得斯的《海伦》"新古代音乐 "背后的作曲方法和诠释选择，它如何支持或复杂化了之前所理解的该剧的音乐设计，以及新音乐化的 "合唱情节 "如何影响古代和现代观众的体验。它旨在补充演出录音和乐谱，这些材料合在一起可以帮助人们理解古代希腊戏剧音乐的一般经验，或评估这部特定戏剧的音乐效果。此外，它还有助于用这些音乐重新演绎《海伦》，或创作自己的新作品。

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A New Musical Helen

Abstract:

This paper discusses compositional methods and interpretive choices behind “new ancient music” for Euripides’ Helen, how it supports or complicates the play’s musical design as previously understood, and how a newly musicalized “choral plot” can affect audience experience, ancient and modern. It is intended to complement performance recordings and scores, materials which, taken together, may help one understand the ancient experience of Greek dramatic music generally, or to evaluate musical effects of this specific play. It may also be useful for restaging Helen with this music, or new compositions of one’s own.

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来源期刊

ARETHUSA CLASSICS-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.