{"title":"迈向 \"空间写作\":O 复杂质量","authors":"John Lawrence","doi":"10.1386/jwcp_00060_1","DOIUrl":null,"url":null,"abstract":"The following contribution aims to convey a sense of O Complex Mass, an artwork I developed for Dilston Gallery, Southwark Park, London in 2022. O Complex Mass represents the first significant outcome resulting from a commitment to a new site-responsive approach to writing within my practice that I now refer to as ‘spatial writing’. This work is preoccupied with the complex relationship between writing and physical space – how the conditions under which we experience language (written or spoken) can have an impact on our understanding of its meaning. Could ‘site of reception’ be considered as a facet of language itself? By naming this approach ‘spatial writing’ I connect it to twentieth century avant-garde approaches within ‘spatial music’ as well as ideas around ‘critical spatial practice’ as defined by Professor Jane Rendell.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":"445 ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Towards a ‘spatial writing’: O Complex Mass\",\"authors\":\"John Lawrence\",\"doi\":\"10.1386/jwcp_00060_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The following contribution aims to convey a sense of O Complex Mass, an artwork I developed for Dilston Gallery, Southwark Park, London in 2022. O Complex Mass represents the first significant outcome resulting from a commitment to a new site-responsive approach to writing within my practice that I now refer to as ‘spatial writing’. This work is preoccupied with the complex relationship between writing and physical space – how the conditions under which we experience language (written or spoken) can have an impact on our understanding of its meaning. Could ‘site of reception’ be considered as a facet of language itself? By naming this approach ‘spatial writing’ I connect it to twentieth century avant-garde approaches within ‘spatial music’ as well as ideas around ‘critical spatial practice’ as defined by Professor Jane Rendell.\",\"PeriodicalId\":38498,\"journal\":{\"name\":\"Journal of Writing in Creative Practice\",\"volume\":\"445 \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Writing in Creative Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jwcp_00060_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Writing in Creative Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jwcp_00060_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
The following contribution aims to convey a sense of O Complex Mass, an artwork I developed for Dilston Gallery, Southwark Park, London in 2022. O Complex Mass represents the first significant outcome resulting from a commitment to a new site-responsive approach to writing within my practice that I now refer to as ‘spatial writing’. This work is preoccupied with the complex relationship between writing and physical space – how the conditions under which we experience language (written or spoken) can have an impact on our understanding of its meaning. Could ‘site of reception’ be considered as a facet of language itself? By naming this approach ‘spatial writing’ I connect it to twentieth century avant-garde approaches within ‘spatial music’ as well as ideas around ‘critical spatial practice’ as defined by Professor Jane Rendell.