迈向 "空间写作":O 复杂质量

Q2 Arts and Humanities
John Lawrence
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引用次数: 0

摘要

O Complex Mass》是我 2022 年为伦敦南华克公园的 Dilston 画廊创作的艺术作品。O Complex Mass》是我在实践中致力于采用一种新的场地响应式写作方法所产生的第一个重要成果,我现在称之为 "空间写作"。这项工作关注的是写作与物理空间之间的复杂关系--我们体验语言(书面或口头语言)的条件如何影响我们对其意义的理解。是否可以将 "接受场所 "视为语言本身的一个方面?通过将这种方法命名为 "空间写作",我将其与二十世纪 "空间音乐 "中的前卫方法以及简-伦德尔教授定义的 "批判性空间实践 "的观点联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Towards a ‘spatial writing’: O Complex Mass
The following contribution aims to convey a sense of O Complex Mass, an artwork I developed for Dilston Gallery, Southwark Park, London in 2022. O Complex Mass represents the first significant outcome resulting from a commitment to a new site-responsive approach to writing within my practice that I now refer to as ‘spatial writing’. This work is preoccupied with the complex relationship between writing and physical space – how the conditions under which we experience language (written or spoken) can have an impact on our understanding of its meaning. Could ‘site of reception’ be considered as a facet of language itself? By naming this approach ‘spatial writing’ I connect it to twentieth century avant-garde approaches within ‘spatial music’ as well as ideas around ‘critical spatial practice’ as defined by Professor Jane Rendell.
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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