孤独的风景

Q2 Arts and Humanities
Barnboken Pub Date : 2024-04-17 DOI:10.14811/clr.v47.885
Lydia Kokkola
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引用次数: 0

摘要

安娜-丽莎-哈卡娜(Anna-Liisa Haakana)是芬兰小说家,她最著名的作品是以 20 世纪 80 年代的萨米(Sápmi,英文殖民地名 "拉普兰")为背景的现实主义故事。哈卡娜笔下的少女主人公--《孤独的伊卡》(Ykä Yksinäinen,1980 年)中的伊卡和《一号女孩》(Ykköstyttö,1981 年)中的阿尼特拉--尽管被家人环绕,却感到孤独寂寞。正如费-阿尔贝蒂提醒我们的那样,孤独是一种社会和文化现象,有其自身的历史。在哈卡娜的前互联网小说中,孤独被映射到北方的风景上,因此主人公对家的感知都带有孤独感。在本文中,我借鉴萨拉-艾哈迈德(Sara Ahmed)关于同性恋取向的研究成果,探讨了孤独感与景观之间的联系,从而研究了孤独感的地理空间维度。虽然本文研究的哈卡娜的小说本身都不是爱情小说,但欲望对伊卡和阿尼特拉来说都是一种寻路方式。对这两个青少年来说,爱的感觉加上照顾脆弱的人的愿望,使他们朝着家的方向前进。为此,他们必须移动:静止会导致孤独感和恐高症,而移动则会导致目的感和恐高症。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lonely Landscapes
Anna-Liisa Haakana is a Finnish novelist best known for her realistic stories set in Sápmi (better known in English by its colonial name “Lapland”) during the 1980s. Haakana’s teenage protagonists, Ykä in Ykä Yksinäinen (Ykä the Lonely, 1980) and Anitra in Ykköstyttö (Number One Girl, 1981), feel lonely and isolated despite being surrounded by their families. Loneliness, as Fay Alberti reminds us, is a social and cultural phenomenon which has its own history. In Haakana’s pre-internet novels, loneliness is mapped onto the northern landscape such that the protagonists’ perceptions of their homes are tinged with feelings of isolation. In this article, I investigate the links between the feelings of loneliness and landscape by drawing on Sara Ahmed’s work on queer orientations to examine the geo-spatial dimensions of loneliness. Although neither of the novels by Haakana examined here are romances per se, desire acts as a form of way-finding for both Ykä and Anitra. For both teens, feelings of love combined with the desire to care for someone vulnerable orient them towards their homes. To do so, they must move: stillness leads to feelings of loneliness and topophobia, but movement leads to feelings of purpose and topophilia.
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来源期刊
Barnboken
Barnboken Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
22
审稿时长
20 weeks
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