共鸣的思考:对 Les Six 音乐民族主义运动中民族符号动态的批判性评论

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-04-22 DOI:10.3390/arts13020075
Xuewei Chang, Marzelan Bin Salleh, Jifang Sun
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引用次数: 0

摘要

六人乐队和他们的导师们在 20 世纪初掀起了法国民族主义音乐的热潮。然而,这场运动遭到了来自各方的严厉批评和嘲讽,最终在挑战中分崩离析。这篇评论性文章探讨了六人团民族主义音乐运动中的民族象征动态,并借鉴民族音乐学的观点,研究了他们的作品如何反映法国的民族身份和文化遗产,并与之产生共鸣。通过分析原始资料、学术文献和音乐作品,本文细致地揭示了在这场运动中,法国的社会背景、音乐传统以及相关人物之间的关系和态度,在构建国家认同和文化认同的过程中产生的连锁反应。结论强调了民族象征主义在其作品中的多面性,揭示了通过音乐构建民族身份的复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Resonating Reflections: A Critical Review of Ethnosymbolic Dynamics in Les Six’s Music Nationalism Movement
Les Six and their mentors stirred a debatement of French nationalist music in the early 20th century. However, this movement faced serious criticism and mockery from various quarters and eventually fell apart amid challenges. This critical review explores the ethnosymbolic dynamics within the nationalism music movement of Les Six, and drawing upon ethnomusicological perspectives, the study examines how their compositions reflected and resonated with French national identity and cultural heritage. By analyzing primary sources, scholarly literature, and musical compositions, this article meticulously uncovers the chain reactions generated in the process of constructing national identity and cultural identity within this movement by examining the French societal backdrop, musical traditions, as well as the relationships and attitudes among relevant figures in this movement. The conclusions highlight the multifaceted nature of ethnosymbolism in their work, shedding light on the complexities of national identity construction through music.
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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