{"title":"漫步蓝调:探索罗里-加拉格尔《科克城》的符号学音乐景观","authors":"Lauren Alex O’Hagan","doi":"10.1080/17411912.2024.2331432","DOIUrl":null,"url":null,"abstract":"This paper traces a walking tour of Cork City that I recently undertook, using an autoethnographic perspective to tap into the linguistic and semiotic features of places and spaces associated with ...","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"24 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Walkin’ blues: exploring the semiotic musicscape of Rory Gallagher’s Cork City\",\"authors\":\"Lauren Alex O’Hagan\",\"doi\":\"10.1080/17411912.2024.2331432\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper traces a walking tour of Cork City that I recently undertook, using an autoethnographic perspective to tap into the linguistic and semiotic features of places and spaces associated with ...\",\"PeriodicalId\":43942,\"journal\":{\"name\":\"Ethnomusicology Forum\",\"volume\":\"24 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-04-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ethnomusicology Forum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17411912.2024.2331432\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ethnomusicology Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17411912.2024.2331432","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Walkin’ blues: exploring the semiotic musicscape of Rory Gallagher’s Cork City
This paper traces a walking tour of Cork City that I recently undertook, using an autoethnographic perspective to tap into the linguistic and semiotic features of places and spaces associated with ...
期刊介绍:
Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.