斯坎德贝格广场的生与死》:百年预言中的厄运纪事

IF 0.1 4区 艺术学 Q3 Arts and Humanities
Skender Luarasi
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引用次数: 0

摘要

摘要:本文记录了阿尔巴尼亚首都地拉那的中心--斯坎德贝格广场在过去一百年间的城市变迁。文章追溯了斯坎德贝格广场及其周边地区的一系列城市侵蚀活动,这些活动将广场从城市中分离、疏远和窃取。尽管这些侵蚀行为背后有许多原因,包括政治和经济原因,但也有一些话语选择偏向并维持了这些侵蚀行为,因为还有其他一些话语选择可以反对这些侵蚀行为。斯坎德贝格广场的改造从一开始就在两次大战之间的所谓 "意大利时代 "项目中有所预料。这篇文章在方法论上更大的利害关系正是这种预期,即通过对未来的批判和推测来讲述一个故事:一个事件如何以及为什么会追溯性地选择其发生的原因,以及如果做出其他选择,在其他时刻会发生哪些其他的、潜在的转变。这不仅仅是幻想或一厢情愿的想法;只有表明过去总是--已经有很多,而且它本来可以是不同的,才有可能想象现在的变化,从而对未来具有能动性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Life and Death of Skanderbeg Square: A Chronicle of an Undoing Foretold, in a Hundred Years

Abstract:

This article chronicles the urban transformation of Skanderbeg Square— the center of Tirana, Albania’s capital city— over the last one hundred years. It traces a series of urban erasures in and around the square, which detached, estranged, and stole the square from the city. While there were many reasons behind these erasures, political and economic ones notwithstanding, there were also discursive choices that biased and sustained them, as there were others that could have been made against such erasures. The transformation of Skanderbeg Square was anticipated from the very beginning, in the projects of the so-called Time of Italy, between the two wars. The larger methodological stake of the article is precisely this anticipation, namely, the telling of a story through the critical and speculative lens of the future anterior: how and why does an event retroactively selects the reasons of its occurrence, and what other, potential transformations would have occurred at other junctures, if other choices were made. This is not mere fantasy or wishful thinking; it is only by showing that the past has always- already been many, and that it could have been different, that it is possible to imagine change in the present, and thus have agency toward the future.

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来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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