全部由我们的数据替身监控

IF 0.4 4区艺术学 0 ART

LEONARDO Pub Date : 2024-04-05 DOI:10.1162/leon_a_02520

Simon Biggs, Ana Carvalho

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引用次数: 0

摘要

所谓双重数据，是指由网络通信用户生成并收集的信息，用于构建市场营销和其他领域的关系数据库。在这个监控-透视系统中，每个主体（用户）都不可避免地为所有其他主体提供信息并将其对象化。社交媒体体验基于我们持续 "被追踪 "的参与。监控功能跨越书面和口头语言、生物识别、地理定位以及视觉和行为模式。本文主要关注视觉媒体及其生产和（再）流通，即通过上传、观看、点赞、评论、混音和分享积累数据。文章探讨了部分媒体艺术家如何反思信息再循环的潜力，以揭示我们的数据加倍和监视-窥视系统。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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All Watched Over by Our Data Double

The term data double denotes information generated by and collected from users of networked communications to construct relational databases in marketing and other domains. Each subject (user) of this surveillance-panoptical system inevitably informs and objectifies all other subjects. Social media experiences are based on our continuously “tracked” engagement. Surveillance functions across written and spoken language, biometrics, geolocation, and visual and behavioral patterns. This text is primarily concerned with visual media and its production and (re)circulation as the accumulation of data through uploading, viewing, liking, commenting, remixing, and sharing. The article explores how selected media artists reflect upon the potential of recirculating information to reveal our data doubles and the surveillance-panoptical system.

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来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.