{"title":"撕裂屏幕：孔聪《红辣椒》中的片头、对话媒体和虚构现实","authors":"Jiajun Liang","doi":"10.1080/09555803.2024.2332173","DOIUrl":null,"url":null,"abstract":"This article offers an examination of Japanese anime director Kon Satoshi’s artistic style, with a particular focus on his presentation of the title credits, by tracing his career as an internation...","PeriodicalId":44495,"journal":{"name":"Japan Forum","volume":"116 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tearing through the screen: diegetic credits, dialogic media, and fictional reality in Kon Satoshi’s Paprika\",\"authors\":\"Jiajun Liang\",\"doi\":\"10.1080/09555803.2024.2332173\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article offers an examination of Japanese anime director Kon Satoshi’s artistic style, with a particular focus on his presentation of the title credits, by tracing his career as an internation...\",\"PeriodicalId\":44495,\"journal\":{\"name\":\"Japan Forum\",\"volume\":\"116 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2024-04-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Japan Forum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09555803.2024.2332173\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Japan Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09555803.2024.2332173","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
Tearing through the screen: diegetic credits, dialogic media, and fictional reality in Kon Satoshi’s Paprika
This article offers an examination of Japanese anime director Kon Satoshi’s artistic style, with a particular focus on his presentation of the title credits, by tracing his career as an internation...
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