{"title":"COVID-19 大流行期间的个人力量和应对方法:对音乐界文化工作者的研究","authors":"Beate Elstad, Erik Døving, Dag Jansson","doi":"10.1177/03057356241239337","DOIUrl":null,"url":null,"abstract":"This study examines how cultural workers in the music sector coped with the COVID-19-induced lockdown, and how coping is associated with growth in personal strength during the pandemic. We conducted an online survey 1 year into the pandemic among members of Creo, Norway’s largest trade union in the music sector. Respondents ( N = 658) were to a large degree engaged in fight coping. Furthermore, seeking and giving social support, adopting new digital technologies, rotating job plans, as well as generating and maintaining professional skills were positively related to increased personal strength. We observed notable differences between occupational groups. Musicians chose skill nurturing, music educators engaged in technology adoption, and backstage workers reported flight coping to a larger degree than the other occupational groups. Surprisingly, self-employed and temporary employed workers reported a lower degree of innovation in terms of initiating and participating in new digital concepts and technology adoption compared to those with permanent employment. Finally, temporary or self-employed workers reported a higher degree of flight and freeze coping than permanently employed workers.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"41 1","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2024-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Personal strength and coping during the COVID-19 pandemic: A study of cultural workers in the music sector\",\"authors\":\"Beate Elstad, Erik Døving, Dag Jansson\",\"doi\":\"10.1177/03057356241239337\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study examines how cultural workers in the music sector coped with the COVID-19-induced lockdown, and how coping is associated with growth in personal strength during the pandemic. We conducted an online survey 1 year into the pandemic among members of Creo, Norway’s largest trade union in the music sector. Respondents ( N = 658) were to a large degree engaged in fight coping. Furthermore, seeking and giving social support, adopting new digital technologies, rotating job plans, as well as generating and maintaining professional skills were positively related to increased personal strength. We observed notable differences between occupational groups. Musicians chose skill nurturing, music educators engaged in technology adoption, and backstage workers reported flight coping to a larger degree than the other occupational groups. Surprisingly, self-employed and temporary employed workers reported a lower degree of innovation in terms of initiating and participating in new digital concepts and technology adoption compared to those with permanent employment. Finally, temporary or self-employed workers reported a higher degree of flight and freeze coping than permanently employed workers.\",\"PeriodicalId\":47977,\"journal\":{\"name\":\"Psychology of Music\",\"volume\":\"41 1\",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2024-04-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Psychology of Music\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1177/03057356241239337\",\"RegionNum\":3,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Psychology of Music","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/03057356241239337","RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Personal strength and coping during the COVID-19 pandemic: A study of cultural workers in the music sector
This study examines how cultural workers in the music sector coped with the COVID-19-induced lockdown, and how coping is associated with growth in personal strength during the pandemic. We conducted an online survey 1 year into the pandemic among members of Creo, Norway’s largest trade union in the music sector. Respondents ( N = 658) were to a large degree engaged in fight coping. Furthermore, seeking and giving social support, adopting new digital technologies, rotating job plans, as well as generating and maintaining professional skills were positively related to increased personal strength. We observed notable differences between occupational groups. Musicians chose skill nurturing, music educators engaged in technology adoption, and backstage workers reported flight coping to a larger degree than the other occupational groups. Surprisingly, self-employed and temporary employed workers reported a lower degree of innovation in terms of initiating and participating in new digital concepts and technology adoption compared to those with permanent employment. Finally, temporary or self-employed workers reported a higher degree of flight and freeze coping than permanently employed workers.
期刊介绍:
Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.