朱帕-拉希里的短篇小说集《不习惯的地球》中的罗马化现象

Leila Rakhman Kyzy Dzhalilova
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摘要

本文旨在以琼帕-拉希里的短篇散文为例,从罗马化现象的角度分析短篇小说的体裁形式。研究的主题是确定短篇小说集《不习惯的地球》第二部分 "赫玛与考希克 "的体裁结构中的罗马化特征。作为研究对象,选取了三篇故事("一生一次"、"岁末"、"上岸"),它们由共同的情节组成了短篇小说集的第二部分。对现代多元文化和后殖民文学作品进行体裁方面的研究,可以揭示稳定体裁形式在文学创作过程中的运作和变化特点,这也是这部作品的现实意义所在。结构分析法和比较法使我们有可能从文本的构成、主观和时空层面研究罗马化过程,并揭示短篇小说形式与美国传统体裁的相关性。科学的新颖之处在于,在罗马化概念的框架内,运用新的方法来分析这部小说集的体裁形式。研究得出结论,短篇小说的罗马化是基于构成、主观和时空组织的复杂性。这导致故事被几个主要人物整合成一个有凝聚力的叙事,而这些人物的名字则是小说集第二部分的标题。此外,短篇小说的体裁策略,包括一个叙述者的形象,涵盖了过去的单一事件,都被放在了前面,这表现在像长篇小说那样使用结尾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Phenomenon of Romanization in Jhumpa Lahiri’s Collection of Short Stories «Unaccustomed Earth»
The aim of this article is to analyze the genre form of a short story on the example of Jhumpa Lahiri’s short prose in the aspect of the phenomenon of romanization. The subject of the study is the determination of the features of romanization disclosed in the genre structure of the second part of short stories’s collection «Unaccustomed Earth» entitled «Hema and Kaushik». As an object of research the three stories («Once in a Lifetime», «Year’s End», «Going Ashore») united by a common plot were chosen which form the second part of the collection. The relevance of the work is explained by the fact that the study of works of modern multicultural and postcolonial literature in the genre aspect allows us to reveal the features of the functioning and modification of stable genre forms in the literary process. The method of structural analysis and the comparative method have made it possible to examine the process of romanization on the compositional, subjective and spatial–temporal levels of the text and reveal the correlation of the short story form with the American tradition of the genre. The scientific novelty consists in applying the new approach to the analysis of the genre form of this collection within the framework of the concept of romanization. The study concludes that the romanization of a short story is based on the complication of compositional, subjective and spatial–temporal organizations. This leads to the integration of the stories into a cohesive narration united by the several main characters whose names gave the title to the second part of the collection. Besides, the genre strategies of a short story including a narrator’ figure, covering a single event of the past are putting in the front which is expressed in the use of the ending like in a novella.
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