绘制早期现代巴黎声音世界地图

Nicholas Hammond
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引用次数: 0

摘要

本文重点讨论的数字项目是 www.parisiansoundscapes.org 网站。本文从项目的研究背景、两本专著的出版以及与巴迪纳吉(Badinage)时期乐器小组的音乐合作开始,讨论了试图重现声音世界,特别是现代早期巴黎歌曲文化的理论和实践。文章分析了新桥作为听觉空间和最常表演街头歌曲的地点的重要性,随后考虑了我们在试图重现 1600 和 1700 年代的声音世界时遇到的各种挑战。重点介绍了网站的三个主要功能--手写手稿转录、歌曲录音和歌曲曲调--以及该项目的未来发展计划。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mapping Early Modern Parisian Sound Worlds
The digital project which forms the focus of this article is the website www.parisiansoundscapes.org. Both the theory and practice of attempting to recreate the sound worlds and particularly the song culture of early modern Paris are discussed in this article, starting with the research-based background to the project, with the publication of two monographs, and moving to the musical collaboration with the period instrument group Badinage. The importance of the Pont Neuf both as an auditory space and as the location where street songs were most often performed is analysed, followed by consideration of the various challenges that we have encountered in attempting to recreate the sound worlds of the 1600s and 1700s. The three major features of the website - transcription of handwritten manuscripts, song recordings, and song tunes - are highlighted, as are the future plans for the development of the project.
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