现代楚瓦什戏剧童话中神话情节和形象的转换与综合

Elena Petrovna Perepelkina, Ekaterina Romanovna Yakimova
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摘要

研究旨在确定现代楚瓦什儿童童话剧中神话情节和形象的变化。本文分析了伊奥西夫-特勒、奥尔加-图尔盖和艾伦-纳尔比的童话剧。作为体裁背景,还考虑了康斯坦丁-伊万诺夫、埃菲姆-尼基京和米哈伊尔-尤克玛的童话情节。这篇论文的新颖之处在于,它是楚瓦什文学研究中第一篇分析现代舞台童话人物和情节的论文,这些童话的主人公都是神话人物,其中包括民族民间传说中的故事情节。研究结果表明,民间传说是现代楚瓦什文学的丰富文化源泉。古老的神话情节和形象,经过改造并适应现代现实,得到了新的诠释,保留了其现实意义,并获得了不同的含义。作家们以主人公失踪和他的亲人(新娘、妻子、父亲等)寻找他为主题,创作了几十部舞台童话。这些童话展现了古代楚瓦什神话中的 Pyulekhse、Esrel、Kiremet 等形象,与当今生活十分贴近。神话情节在现代舞台上得到了新的文学表现形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transformation and synthesis of mythological plots and images in the modern Chuvash dramatic fairy tale
The research aims to identify changes in mythological plots and images in modern Chuvash fairy-tale plays for children. The paper analyzes fairy-tale plays by Iosif Trer, Olga Turgay, and Elen Narby. As the genre background, the plots of fairy tales by Konstantin Ivanov, Efim Nikitin, and Mikhail Yukhma are considered. The paper is novel in that it is the first in Chuvash literary studies to analyze the characters and plots of modern stage fairy tales the heroes of which are mythological figures and which include story-lines from national folklore. The research findings showed that folklore is a rich cultural source for modern Chuvash literature. Ancient mythological plots and images, transforming and adapting to modern realities, receive a new interpretation, retain their relevance and acquire a different meaning. Using the motif of the hero’s disappearance and of his loved ones (bride, wife, father, etc.) looking for him, the authors created dozens of stage fairy tales. They present the ancient Chuvash mythological images of Pyulekhse, Esrel, Kiremet, etc., which are close to today’s life. Mythological plots, having received a new literary manifestation, are being revived on the modern stage.
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