Susan C. Herring, Meredith Dedema, Enrique Rodríguez, Leo Yang
{"title":"有策略地使用视频脸部滤镜类型:受众、性别和文化的影响","authors":"Susan C. Herring, Meredith Dedema, Enrique Rodríguez, Leo Yang","doi":"10.1177/14614448241230461","DOIUrl":null,"url":null,"abstract":"Video face filters play an increasingly important role in digitally mediated self-presentation for people around the world. We interviewed young adult video filter users from China, India, South Korea, Spain, and the United States, asking what video filters they use, who they use filters with, and how. Participants demonstrated sensitivity to public versus private spheres when determining what filter type was appropriate for particular audiences. Those audiences included the self-only, in what we call the “dressing room,” extending Goffman’s dramaturgical metaphor for self-presentation. We further identify a tendency for the women and East Asians we interviewed to be more attuned to different kinds of audiences, as well as East-West differences in acceptance of beauty filter enhancement. Implications for video filter research are discussed.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":"69 11","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Strategic use of video face filter types: Influence of audience, gender, and culture\",\"authors\":\"Susan C. Herring, Meredith Dedema, Enrique Rodríguez, Leo Yang\",\"doi\":\"10.1177/14614448241230461\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Video face filters play an increasingly important role in digitally mediated self-presentation for people around the world. We interviewed young adult video filter users from China, India, South Korea, Spain, and the United States, asking what video filters they use, who they use filters with, and how. Participants demonstrated sensitivity to public versus private spheres when determining what filter type was appropriate for particular audiences. Those audiences included the self-only, in what we call the “dressing room,” extending Goffman’s dramaturgical metaphor for self-presentation. We further identify a tendency for the women and East Asians we interviewed to be more attuned to different kinds of audiences, as well as East-West differences in acceptance of beauty filter enhancement. Implications for video filter research are discussed.\",\"PeriodicalId\":443328,\"journal\":{\"name\":\"New Media & Society\",\"volume\":\"69 11\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-02-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Media & Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/14614448241230461\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Media & Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/14614448241230461","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Strategic use of video face filter types: Influence of audience, gender, and culture
Video face filters play an increasingly important role in digitally mediated self-presentation for people around the world. We interviewed young adult video filter users from China, India, South Korea, Spain, and the United States, asking what video filters they use, who they use filters with, and how. Participants demonstrated sensitivity to public versus private spheres when determining what filter type was appropriate for particular audiences. Those audiences included the self-only, in what we call the “dressing room,” extending Goffman’s dramaturgical metaphor for self-presentation. We further identify a tendency for the women and East Asians we interviewed to be more attuned to different kinds of audiences, as well as East-West differences in acceptance of beauty filter enhancement. Implications for video filter research are discussed.